gerelateerde werken
Movement for band / Maarten van Norden
Genre:
Orkest
Subgenre:
Groot ensemble (12 of meer spelers)
Bezetting:
3sax h trp trb perc el-g g-b pf vl
Plegaria : for mezzo-soprano and orchestra / Oswin 'Chin' Behilia; arr. by Randal Corsen
Genre:
Vocaal
Subgenre:
Zangstem en orkest
Bezetting:
3fl 3ob 3cl 3bsn 4h 3trb tb timp perc(3) hrp pf voice str
Pra : for soprano & orchestra, 2000-2002 / poem by Edward Estlin Cummings, Astrid Kruisselbrink
Genre:
Vocaal
Subgenre:
Zangstem en orkest
Bezetting:
sopr 2fl(pic) fl 2ob ob(eh) 2cl cl(cl-b) 2fg fg(cfg) 4h 3trp 3trb tb timp 3perc hp pf str(14.12.10.8.6.)
Arno-Holz-Lieder : für Alt und Orchester, 1972-73 / Jacques G. Goosen
Genre:
Vocaal
Subgenre:
Zangstem en orkest
Bezetting:
alt 2221 2sax 1210 timp 2perc cel vibr hp g cemb harm str(8.4.4.0.)
compositie
La bonne chanson : for voice and orchestra, 2001 / text: Paul Verlaine, Maarten van Norden
Auteur(s):
Verlaine, Paul
(Tekstdichter/librettist)
Norden, Maarten van
(Componist)
Toelichting:
Program note (English): La bonne chanson is written for the opening of the Dutch Music Days 2001 and was first performed on December 13 by the Metropole Orchestra conducted by Jan Stulen with mezzo-soprano Monique Scholte. The structure is A-B-A-B-A. The A sections use three poems by Paul Verlaine: 1. Le piano qui baisse une main frêle (1874, from the collection Romance sans paroles) - 2. Le bon disciple (1872, written for Verlaine's lover Arthur Rimbaud) - 3. La bonne chanson (1871). The romantic idiom of the poems is reflected in the music of the A sections. This is balanced by the more abstract instrumental B sections in which serial harmonies are developed through the use of set-theory, against a tight rhythmical background that sometimes reveals my roots in the jazz-rock idiom. - MAARTEN VAN NORDEN