gerelateerde werken
Grosso modo : for wind octet and percussion, 1997 / Maarten van Norden
Genre:
Kamermuziek
Subgenre:
Gemengd ensemble (2-12 spelers)
Bezetting:
fl ob cl cl-b fg h trp trb perc
Genre:
Vocaal
Subgenre:
Zangstem en orkest
Bezetting:
sopr-m 2222 2000 3perc hp pf str(8.8.6.4.4.)
The Old Superb : for soprano and orchestra / Charles Villiers Stanford; arr. by Maxim Kolomiiets
Genre:
Vocaal
Subgenre:
Zangstem en orkest
Bezetting:
sopr-solo 2fl ob 2cl 2bsn 2h 2tp 2trb perc str
Four Songs : for mezzo-soprano and small orchestra / Erik Lotichius; texts: Native American poetry
Genre:
Vocaal
Subgenre:
Zangstem en orkest
Bezetting:
Mezzo-soprano and Small Orchestra: Flute; Oboe; Clarinets in B-flat; Bassoon; Horn in F; Trumpet in C; Timpani; Cymbals; Strings
compositie
La bonne chanson : for voice and orchestra, 2001 / text: Paul Verlaine, Maarten van Norden
Auteur(s):
Verlaine, Paul
(Tekstdichter/librettist)
Norden, Maarten van
(Componist)
Toelichting:
Program note (English): La bonne chanson is written for the opening of the Dutch Music Days 2001 and was first performed on December 13 by the Metropole Orchestra conducted by Jan Stulen with mezzo-soprano Monique Scholte. The structure is A-B-A-B-A. The A sections use three poems by Paul Verlaine: 1. Le piano qui baisse une main frêle (1874, from the collection Romance sans paroles) - 2. Le bon disciple (1872, written for Verlaine's lover Arthur Rimbaud) - 3. La bonne chanson (1871). The romantic idiom of the poems is reflected in the music of the A sections. This is balanced by the more abstract instrumental B sections in which serial harmonies are developed through the use of set-theory, against a tight rhythmical background that sometimes reveals my roots in the jazz-rock idiom. - MAARTEN VAN NORDEN