gerelateerde werken

Songs to make the dust dance : for mixed choir, violin, bass clarinet and marimba/percussion, 1995 / texts from the Ryojinhisho (XIIth century Japan), Maarten van Norden

Genre: Vocaal
Subgenre: Gemengd koor en instrumenten
Bezetting: GK4 cl-b perc vl

Abel et Caïn : tableau symphonique, pour une voix basse et grand orchestre, op. 15 / musique: Géza Frid, paroles: Charles Baudelaire

Genre: Vocaal
Subgenre: Zangstem en orkest
Bezetting: low 3233 4331 timp perc 2hp str

Ode : per contralto e orchestra / [testo] Bert Voeten, Henri Zagwijn

Genre: Vocaal
Subgenre: Zangstem en orkest
Bezetting: alt 2322 4210 timp 2perc str

Crucem tuam / Hendrik Andriessen

Genre: Vocaal
Subgenre: Zangstem en orkest
Bezetting: alt str

compositie

La bonne chanson : for voice and orchestra, 2001 / text: Paul Verlaine, Maarten van Norden

Overige auteurs:
Verlaine, Paul (Tekstdichter/librettist)
Norden, Maarten van (Componist)
Toelichting:
Program note (English): La bonne chanson is written for the opening of the Dutch Music Days 2001 and was first performed on December 13 by the Metropole Orchestra conducted by Jan Stulen with mezzo-soprano Monique Scholte. The structure is A-B-A-B-A. The A sections use three poems by Paul Verlaine: 1. Le piano qui baisse une main frêle (1874, from the collection Romance sans paroles) - 2. Le bon disciple (1872, written for Verlaine's lover Arthur Rimbaud) - 3. La bonne chanson (1871). The romantic idiom of the poems is reflected in the music of the A sections. This is balanced by the more abstract instrumental B sections in which serial harmonies are developed through the use of set-theory, against a tight rhythmical background that sometimes reveals my roots in the jazz-rock idiom. - MAARTEN VAN NORDEN