gerelateerde werken
Serenade for Gustav & Arnold : for ensemble / Maarten van Norden
Genre:
Orkest
Subgenre:
Groot ensemble (12 of meer spelers)
Bezetting:
fl ob cl fg h perc pf 2vl vla vc cb
Genre:
Vocaal
Subgenre:
Zangstem en orkest
Bezetting:
sopr-m org/cemb str
In hora mortis : lied voor mezzosopraan en kamerorkest / Jan van de Putte
Genre:
Vocaal
Subgenre:
Zangstem en orkest
Bezetting:
sopr-m pic cl fg 2h trb 2perc pf str
Genre:
Vocaal
Subgenre:
Zangstem en orkest
Bezetting:
zang picc 2fl ob eh 2cl fg cfg 4h tpt 2trb tb hp pf str
compositie
La bonne chanson : for voice and orchestra, 2001 / text: Paul Verlaine, Maarten van Norden
Overige auteurs:
Verlaine, Paul
(Tekstdichter/librettist)
Norden, Maarten van
(Componist)
Toelichting:
Program note (English): La bonne chanson is written for the opening of the Dutch Music Days 2001 and was first performed on December 13 by the Metropole Orchestra conducted by Jan Stulen with mezzo-soprano Monique Scholte. The structure is A-B-A-B-A. The A sections use three poems by Paul Verlaine: 1. Le piano qui baisse une main frêle (1874, from the collection Romance sans paroles) - 2. Le bon disciple (1872, written for Verlaine's lover Arthur Rimbaud) - 3. La bonne chanson (1871). The romantic idiom of the poems is reflected in the music of the A sections. This is balanced by the more abstract instrumental B sections in which serial harmonies are developed through the use of set-theory, against a tight rhythmical background that sometimes reveals my roots in the jazz-rock idiom. - MAARTEN VAN NORDEN