gerelateerde werken
Bring in da fonk : for violin, violoncello and piano, 1997 / Maarten van Norden
Genre:
Kamermuziek
Subgenre:
Pianotrio (piano, viool, cello)
Bezetting:
vl vc pf
Pra : for soprano & orchestra, 2000-2002 / poem by Edward Estlin Cummings, Astrid Kruisselbrink
Genre:
Vocaal
Subgenre:
Zangstem en orkest
Bezetting:
sopr 2fl(pic) fl 2ob ob(eh) 2cl cl(cl-b) 2fg fg(cfg) 4h 3trp 3trb tb timp 3perc hp pf str(14.12.10.8.6.)
Drie liederen : met orkestbegeleiding / door Willem Andriessen
Genre:
Vocaal
Subgenre:
Zangstem en orkest
Bezetting:
sopr-m 2222 4200 timp str
Berceuse uit: Philomela / Hendrik Andriessen
Genre:
Vocaal
Subgenre:
Zangstem en orkest
Bezetting:
sopr 3222 4220 timp hp str
compositie
La bonne chanson : for voice and orchestra, 2001 / text: Paul Verlaine, Maarten van Norden
Auteur(s):
Verlaine, Paul
(Tekstdichter/librettist)
Norden, Maarten van
(Componist)
Toelichting:
Program note (English): La bonne chanson is written for the opening of the Dutch Music Days 2001 and was first performed on December 13 by the Metropole Orchestra conducted by Jan Stulen with mezzo-soprano Monique Scholte. The structure is A-B-A-B-A. The A sections use three poems by Paul Verlaine: 1. Le piano qui baisse une main frĂȘle (1874, from the collection Romance sans paroles) - 2. Le bon disciple (1872, written for Verlaine's lover Arthur Rimbaud) - 3. La bonne chanson (1871). The romantic idiom of the poems is reflected in the music of the A sections. This is balanced by the more abstract instrumental B sections in which serial harmonies are developed through the use of set-theory, against a tight rhythmical background that sometimes reveals my roots in the jazz-rock idiom. - MAARTEN VAN NORDEN