Simons, Marijn

Simons was born in The Netherlands on December 25, 1982. Education: He studied violin with Prof. Saschko Gawriloff, composition with Daan Manneke and James MacMillan and conducting with Ed Spanjaard, Jean- ...

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Fire Column (Piano Concerto Nº 2) : for piano and string orchestra / Marijn Simons

Genre: Orkest
Subgenre: Piano en strijkorkest
Bezetting: pf str

String Quartet Nº 4 : opus 60 / Marijn Simons

Genre: Kamermuziek
Subgenre: strijkkwartet
Bezetting: 2vl vla vlc

Drei romantische Lieder : Sopran, Klavier, 1975 / [Text] (H. Heine), Robert de Roos

Genre: Vocaal
Subgenre: Zangstem en piano
Bezetting: sopr pf

Prelude and fugue : for Irish harp and harpsichord, (1973) / Willem de Vries Robbé

Genre: Kamermuziek
Bezetting: Irish-hp cemb



String Quartet Nº 1 : opus 6 / Marijn Simons

Uitgavenummer: 12187
Genre: Kamermuziek
Subgenre: strijkkwartet
Bezetting: 2vl vla vlc
Tijdsduur: 7'30"
Aantal spelers: 4
Compositiejaar: 1995/rev. 2010
Status: volledig gedigitaliseerd (direct leverbaar)

After having composed a lot of pieces between 1987 and 1993, a short work for violin and piano called Capriccio (1993) was categorized by me as “opus 1” based on the fact that this was the first composition performed at a concert. However, I want to keep all the works before opus 11 (Capriccio for Stan & Ollie, 1996) for myself. They are not allowed to ever become public through publications, performances, recordings or otherwise.

The only exception being my String Quartet no. 1, opus 6 (1994/1995). In February 2010 I decided to revise and publish this work to make my series of String Quartets complete. As there is a “no. 1” in my Symphonies and Violin Concertos, I felt there also has to be a “no. 1” among my String Quartets.

In revisions of older works I always improve things that I noticed during rehearsals and performances, e.g. some notational things which were misunderstood by the interpreters, orchestrations that didn’t quite work or the timing of a certain passage in the composition that turned out to be unsatisfactory to the way I had it in mind. Therefore only the revised versions of my compositions may be performed, published or recorded and not the so-called “original versions”.

Marijn Simons, March 2012

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