gerelateerde werken
Forbidden Music Regained : Volume 4
	
			Genre: 
		
		Onbekend
	
Thank you for everything, I have no complaints whatsoever : Version for flute quintet / Joke Kegel
	
			Genre: 
		
		Kamermuziek
	
			Subgenre: 
		
		Fluit
	
			Bezetting: 
		
		picc 2fl 2fl-a
	
Dwaallicht : voor fluit en tape, 1995 / op tekst van Hans Faverey, Willem Jeths
	
			Genre: 
		
		Kamermuziek
	
			Subgenre: 
		
		Fluit; Elektronica met verschillende instrumenten; Fluit met multimedia
	
			Bezetting: 
		
		fl tape
	
Quarantine Music Nº 1 : for flute a cappella / Amos Elkana
	
			Genre: 
		
		Kamermuziek
	
			Subgenre: 
		
		Fluit
	
			Bezetting: 
		
		fl
	
compositie
				Five Pastorales : for flute / Reine Colaço Osorio-Swaab
			
					
										Overige auteurs:
									
									
									Colaço Osorio-Swaab, Reine
									(Componist)
								
							
							Bevat:
						
						
						Poco allegro
						Andante
						Allegretto
						Con moto
						Allegro vivace
						
							Toelichting:
						
						
						The series 'Forbidden Music Regained' proudly presents works by composers who were persecuted during the Second World War. Performances of these works were forbidden during the war. Many composers were imprisoned, several did not survive and others went into hiding.
After the war a new generation took over. The pre-war composers were soon forgotten and their compositions remained hidden in closets and archives or fell otherwise into oblivion. In recent decades numerous works have been rediscovered through the efforts of the Leo Smit Foundation. Some scores were found in attics, others in a garden shed and a pile of music was found by young children next to a garbage can. These compositions are of a high quality and deserve to be performed again. The diversity of styles represents the entire spectrum of the first half of the Twentieth century: romanticism, impressionism, modernism, neoclassicism, jazz, and so forth. This project aims to encourage musicians, young and old, from across the globe to perform these compositions, and for concert audiences to (once again) become acquainted with this “unheard” music.