componist
Andrzej Kwiecinski was born on 11th June 1984 in Warsaw, Poland.
Education : Andrzej studied composition with Sławomir Czarnecki (1999-2005) at the Jozef Elsner State Secondary Music School in Warsaw. He ...
gerelateerde werken
Pièces d'un violoncelle : for violoncello solo and string orchestra / Andrzej Kwiecinski
Genre:
Orkest
Subgenre:
Cello en strijkorkest
Bezetting:
vc-solo str
Genre:
Orkest
Subgenre:
Zangstem en orkest
Bezetting:
sopr bar 3fl 2ob eh 2cl cl-b 2fg cfg 4h 3trp 3trb tb timp 2perc hp str
Anatoloose : for orchestra / Misja Mengelberg
Genre:
Orkest
Subgenre:
Orkest; Zangstem en orkest; Orkest met elektronica
Bezetting:
2222 2220 timp str (tape and woman's voice ad lib.)
Trois Chansons (Apollinaire) : for baritone and orchestra / Micha Hamel
Genre:
Orkest
Subgenre:
Zangstem en orkest
Bezetting:
2fl (1pic) 2ob 2cl (1bcl) 2 fg (1cfg) 2hn trp trb 2perc hp cel bar str
compositie
Canzon de' baci : per voce solo e orchestra da camera / Andrzej Kwiecinski
Toelichting:
Canzon de'baci is a turning point in my creative work. For a long time there appeared some kind of dichotomy in it - my interest in composition completely didn’t meet my passions as a countertenor, specializing in baroque singing. It was during Canzon de'baci when I realized that this couldn't go on. I started to look for my identity, wondering what is most important for me, to seek common ground for the functioning of these two worlds. I tried to make Canzon de’baci extremely baroque, but not in an obvious way. I'm not interested neither in stylizations nor toying with the conventions. My intention is to create music that inherits modernist avant-garde idioms built on a repertoire of gestures performing analogous functions to the musical gestures of the Baroque era. My music has to be a baroque one, not an imitation of it. The basis of work is one of the most popular forms of Baroque - ciaccona. I hid the ciaccona melody not in the bass, but in high voice. Another very important part of my job is distortion, the melody is played by the piano on extreme harmonic positions. I wanted to build a structure a bit like Lego: to build a superstructure on substructure. – Andrzej Kwieciński of his work.