componist

Caldara, Antonio

Together with George Friderick Handel and Alessandro Scarlatti, one of the most prolific composers in the baroque period is Antonio Caldara (1670-1736).Caldara was born in Venice in 1670 as a ...

gerelateerde werken

Il Martirio di Santa Caterina : Oratorio for 5 voices and ensemble / Antonio Caldara, with libretto by Francesco Accolti; transcribed and edited by Cees Wagemakers

Genre: Vocaal
Subgenre: Zangstem en instrument(en)
Bezetting: voc 2ob/vl vla/lute vc/db org/cemb

Finale : voor bariton, altsaxofoon/basklarinet en marimba/vibrafoon = for baritone, alto saxophone/bass clarinet and marimba/vibraphone, 1984 (rev. 1986) / tekst = words Fer Bank, Jacques Bank

Genre: Vocaal
Subgenre: Zangstem en instrument(en)
Bezetting: bar sax-a(cl-b) mar(vibr)

Requiem pour une marée noire : for soprano, vibraphone and piano / Alexandre Rabinovitch-Barakovsky

Genre: Vocaal
Subgenre: Zangstem en instrument(en)
Bezetting: sopr vibr pf

Honda Trio : für Bass-Bariton, Violine und Violoncello, 1982/1983 / Gedichte von Heinrich Heine, Emanuël Geibel und Theodor Storm, Jan van Amerongen

Genre: Vocaal
Subgenre: Zangstem en instrument(en)
Bezetting: bas-bar vl vc

 

compositie

Il Martirio di Santa Caterina : Oratorio for 5 voices and ensemble / Antonio Caldara, with libretto by Francesco Accolti; transcribed and edited by Cees Wagemakers

Uitgavenummer: 14303
Genre: Vocaal
Subgenre: Zangstem en instrument(en)
Bezetting: voc 2ob/vl vla/lute vc/db org/cemb
Tijdsduur: 95'00"
Aantal spelers: 10
Status: volledig gedigitaliseerd (direct leverbaar)

Overige auteurs:
Wagemakers, Cees (editor)
Toelichting:
Together with George Friderick Handel and Alessandro Scarlatti, one of the most prolific composers in the baroque period is Antonio Caldara (1670-1736). "Il Martirio di Santa Caterina" (1708), an oratorio written in the time that oratorios were more popular than operas in Rome because of the papal ban on operas being performed
during Lent. Operas were called ‘immoral’. That’s why several operas by Scarlatti and Caldara were called proibita (forbidden).

Like more often in cases like these composers found an escape for their inspiration and artistry in composing a religious work with the same dramatic style as an opera. Though unstaged these oratorios were performed in richly decorated settings with large orchestras
and highly-paid singers.

Caldara composed many operas and oratorios, from which the best-known are: "Maddalana ai piedi di Cristo", "Santa Francesca Romana", "La Conversione di Clodevedo Re di Francia", "Morte e
Sepultura di Cristo".

For "Il Martirio di Santa Caterina" Caldara got the commission from Cardinal Pietro Ottoboni. The libretto was written by Francesco Forzoni Accolti (1674-1708).

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