gerelateerde werken
Genre:
Vocaal
Subgenre:
Gemengd koor
Bezetting:
GK
Psalm 78 : for mixed choir / Isidora Žebeljan
Genre:
Vocaal
Subgenre:
Gemengd koor
Bezetting:
GK
Genre:
Vocaal
Subgenre:
Gemengd koor
Bezetting:
GK
Genre:
Vocaal
Subgenre:
Gemengd koor
Bezetting:
GK
compositie
Promptuarium Musicum: Motets through the Liturgical Year (Volume III) : for 5, 6, 7 & 8 voices and basso continuo (Other Feasts and Communion) / Collected by Abraham SchadÆus; transcribed and edited by Cees Wagemakers
Overige auteurs:
Wagemakers, Cees
(editor)
SchadÆus, Abraham
(samensteller)
Bevat:
Gasparo Villani (1546-1619): O sacrum convivium à 5 (2’15”)
Girolamo Giacobbi (1567-1629): Caro mea à 5 (2’)
Francesco Bianciardi (1570-1607): O pretiosum et admirandum à 5 (2’30”)
Giovanni Battista Stefanini (1574-1630): Gustate et videte à 5 (3’15”)
Ottavio Catalani (? -1644): Ave verum corpus à 5 (2’45”)
Caspar Vincent (1580-1624): Pange lingua - Verbum caro à 6 (9’30”)
Giovanni Piccioni (c. 1548-c. 1619): O Iesu mi dulcissime à 6 (2’)
Michele Varotto (c. 1525-1599): Spiritus meus à 6 (5’)
Girolamo Giacobbi (1567-1629): Salve victima salutaris à 7 (2’)
Giovanni Battista Steffanini (1574-1630): O Sacramentum à 7 (3’15”)
Philippe de Monte (1521-1603): Ego sum panis vivus à 7 (3’)
Nicolò Parma (fl. 1575-1613): Homo quidam fecit coenam magnam à 8 (2’15”)
Vincenzo Bertolusi (c. 1550-1608): Caro mea à 8 (3’)
Ludovico Spontoni (1555-c. 1609): Respexit Elias à 8 (3’)
Luigi Balbi (fl. 1585-1621): Quemadmodum desiderat à 8 (4’30”)
Leone Leoni (c. 1550-1627): O sacrum ed admirabile convivium à 8 (2’15”)
Tiburtio Massaino (c. 1550-1609): Ego sum panis vivus à 8 (4’30”)
Toelichting:
In the years 1611 and 1612 two voluminous collections of motets appeared with the name Promptuarium Musicum, volumes I and II.
Both volumes consisted of 100 motets each, to be used during the liturgical year. The first book (1611) contained motets for sundays during Advent, Nativity, The Feast of the Name of Jesus, Epiphany, The Purification of the Virgin Mary, The Annunciation, Occasions of penitence, Lent period, and the Passion of the Lord. The second book (1612) contained motets on Antiphones, Introits, Graduals, Hymns etc. for several individual sundays, and feasts as Easter, Ascension, Pentecost, and several Communion motets. Later appeared more than 200 motets of other liturgical feasts through the year.