componist

Faegre, Brendan

The music of Brendan Faegre (b. 1985, USA) unites the traditions within which he was formed: jazz and rock drumming, Hindustani classical, and contemporary concert music. Faegre's music has been performed around the ...

gerelateerde werken

Carl's Lament : for chamber orchestra / Brendan Faegre; text by Brendan Faegre

Genre: Vocaal
Subgenre: Spreekstem en groot ensemble
Bezetting: stem 2fl 2ob 2cl 2sax-a 2fg 2h 2tpt trb 2perc str

Bianco attraverso il nero (Il Nero) : for ensemble / Ángel Arranz

Genre: Kamermuziek
Subgenre: Gemengd ensemble (2-12 spelers)
Bezetting: 6vl 3vla 2cl cb

Apocatastasis : for recorder and baroque ensemble; opus 67 / Marijn Simons

Genre: Kamermuziek
Subgenre: Gemengd ensemble (2-12 spelers)
Bezetting: fl/rec str

Needle Soup (Klin corba) : A surrealistic fairy tale for octet / Isidora Žebeljan

Genre: Kamermuziek
Subgenre: Gemengd ensemble (2-12 spelers)
Bezetting: cl h fg 2vn vla vla vc db

 

compositie

fragile twisted inharmonic : for ensemble / Brendan Faegre

Uitgavenummer: 15505
Genre: Kamermuziek
Subgenre: Gemengd ensemble (2-12 spelers)
Bezetting: sax-s sax-bar trb perc pf g-e
Tijdsduur: 12'30"
Aantal spelers: 6
Compositiejaar: 2014
Status: volledig gedigitaliseerd (direct leverbaar)

Toelichting:
"fragile twisted inharmonic" is a work exploring the sonic environment of a favorite album from my teenage years: Nine Inch Nails' The Fragile.
In order to determine what it was about this album that left such a strong impression, I spent several days re-immersing myself in the music. My first discovery was that it wasn't the melodies, grooves, forms, or lyrics that were so powerfully constructed, but rather the individual sounds themselves, brilliantly sculpted and combined by Trent Reznor and Alan Moulder. My second discovery was that most of these sounds fit into two basic categories. The first category consists of violent, loud sounds, where almost every instrument's signal is distorted so heavily it begins to approach noise. The second contains delicate, quieter sounds, with a focus on inharmonic instruments like piano, plucked strings, and pitched percussion, and their correspondingly unique tunings.
I contemplated deeply the ideas of distortion, noise, and inharmonicity, their sonic and conceptual implications, and their relationship to the performers and instruments that make up Ensemble Klang. Then I wrote some music.

Bladmuziek
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