gerelateerde werken
Genre:
Vocaal
Subgenre:
Gemengd koor
Bezetting:
GK
Magnificat : for soprano and mixed choir, 1985 / Carlos Micháns
Genre:
Vocaal
Subgenre:
Gemengd koor
Bezetting:
sopr GK
Four Funeral Motets : for mixed choir (or vocal quartet) / text and music by Niek Idelenburg
Genre:
Vocaal
Subgenre:
Gemengd koor
Bezetting:
GK
Quintessence : for chamber choir, 1998 / Richard Sims
Genre:
Vocaal
Subgenre:
Gemengd koor
Bezetting:
GK4
compositie
Promptuarium Musicum: Motets through the Liturgical Year (Volume IV) : for 5, 6, 7 & 8 voices and basso continuo (Other Feasts and Communion) / Collected by Abraham SchadÆus; transcribed and edited by Cees Wagemakers
Overige auteurs:
Wagemakers, Cees
(Editor)
SchadÆus, Abraham
(Samensteller)
Bevat:
Benedetto Bagni (? -fl. 1608): O Domine Jesu Christe à 8 (2’45”)
Francesco Maria Guaitoli (c.1564-1628): Pangamus læti omnes à 8 (4’45”)
Francesco Maria Guaitoli (c.1564-1628): O venerandum à 8 (4’15”)
Francesco Maria Guaitoli (c.1564-1628): Venite, edite Manna à 8 (3’45”)
Simone Molinaro (c. 1565-1615): O quam metuendus est locus à 5 (2’)
Giovanni Battista Strata 1579-1651): Confitemini Domino à 5 (3’30”)
Hans Leo Hassler (1564-1612): Laudate Dominum omnes gentes à 6 (3’30”)
Guglielmo Arnone (c. 1570-1630): Cantabo Dominum à 6 (3’15”)
Benedetto Bagni (? -fl. 1608): Exultemus Domino Regi à 8 (3’)
Nicolò Parma (fl. 1575-1613): Exultavit cor meum - Arcus fortium à 8 (8’)
Luigi Balbi (fl. 1585-1621): In dedicatione templi à 8 (3’15”)
Curtio Valcampi (fl. 1600-1610): Decantabat populus à 8 (3’15”)
Giovanni Piccioni (c. 1548-c. 1619): Elegi et sanctificavi à 8 (3’)
Antonio Savetta (c. 1560-1641): Exultate Deo à 8 (3’)
Toelichting:
In the years 1611 and 1612 two voluminous collections of motets appeared with the name Promptuarium Musicum, volumes I and II.
Both volumes consisted of 100 motets each, to be used during the liturgical year. The first book (1611) contained motets for sundays during Advent, Nativity, The Feast of the Name of Jesus, Epiphany, The Purification of the Virgin Mary, The Annunciation, Occasions of penitence, Lent period, and the Passion of the Lord. The second book (1612) contained motets on Antiphones, Introits, Graduals, Hymns etc. for several individual sundays, and feasts as Easter, Ascension, Pentecost, and several Communion motets. Later appeared more than 200 motets of other liturgical feasts through the year.