componist
The music of Brendan Faegre (b. 1985, USA) unites the traditions within which he was formed: jazz and rock drumming, Hindustani classical, and contemporary concert music.
Faegre's music has been performed around the ...
gerelateerde werken
Analog Intelligence : for orchestra / Brendan Faegre
Genre:
Orkest
Subgenre:
Orkest
Bezetting:
picc 2fl 2ob eh 2cl cl-b 2fg cfg 4h 3tpt 2trb trb-b tb timp 4perc pf str
Symphonie Nº 1 : Orkest / Henk van der Vliet
Genre:
Orkest
Subgenre:
Orkest
Bezetting:
2fl ob eh cla fg 3h trp trb tb 3perc timp hrp 2vl vla vc db
Concerto breve : for orchestra, 1990 / Carlos Micháns
Genre:
Orkest
Subgenre:
Orkest
Bezetting:
2222 4231 timp 2perc str
Love and Hate : Version for orchestra / Chiel Meijering
Genre:
Orkest
Subgenre:
Orkest
Bezetting:
2picc 2ob 2cl 2fg 2trp 2trb perc pf str
compositie
Analog Intelligence : for orchestra / Brendan Faegre
Toelichting:
Analog Intelligence was originally written for my violin/drum-kit/electronics trio ‘Bow Hammer Connection’. It was a 21st Century Dance Suite, exploring five Electronic Dance Music genres: Dubstep, IDM, Ambient, Acid House, and Drum 'n' Bass. Although we may think of these styles as unrelated to the Sarabandes, Menuets, and Gigues of Bach’s famous dance suites, these EDM genres are our contemporary equivalent. In Analog Intelligence, as in Bach’s suites and partitas, each dance is taken as a starting point for creating a piece of concert music – something to stimulate the body, yes, but also the mind and ears.
When Roger Kalia approached me about writing a piece for the Pacific Symphony Youth Orchestra, I knew the dance suite could be done great justice in a detailed orchestration. I chose three of the movements – Dubstep, IDM, and Drum ‘n’ Bass – and set about translating the heavily electronic soundworld of the original piece into the language of an acoustic orchestra. The echo effect became slow wah-wah mutes in the brass, the distortion effect became aluminum foil mutes in the strings, and the reverb effect became airy sounds from all sections of the orchestra. In this new version a unique sonic environment is born, straddling the line between acoustic orchestral and electronic chamber music.