gerelateerde werken

Strijkkwartet V : = Quartetto d'archi V, 1980 / Henk Badings

Genre: Kamermuziek
Subgenre: Strijkkwartet (2 violen, altviool, cello)
Bezetting: 2vl vla vc

26 Secular & Religious Motets (Volume I) : for 4, 5, 6 and 8 voices / Cipriano de Rore; transcribed and edited by Cees Wagemakers

Genre: Vocaal
Subgenre: Gemengd koor
Bezetting: GK

Promptuarium Musicum: Motets through the Liturgical Year (Volume III) : for 5, 6, 7 & 8 voices and basso continuo (Other Feasts and Communion) / Collected by Abraham SchadÆus; transcribed and edited by Cees Wagemakers

Genre: Vocaal
Subgenre: Gemengd koor
Bezetting: GK

Consolations : for mixed choir a cappella, 1992 / poem by Park Benjamin, Willem Duyn

Genre: Vocaal
Subgenre: Gemengd koor
Bezetting: GK4

compositie

Proper of the Season (from a Bavarian Choirbook) : for 4-8 voices / Ludwig Daser, Orlandus Lassus, Johann de Fossa; transcribed and edited by Cees Wagemakers

Overige auteurs:
Daser, Ludwig (Componist)
Fossa, Johann de (Componist)
Wagemakers, Cees (Editor)
Lasso, Orlando di (Componist)
Toelichting:
The Bavarian State Library (Bayerische Staats Bibliothek in Munich, Germany) has a unique collection of large folio format choirbooks from the Bavarian court music ensemble, predominantly from the time of Orlando di Lasso serving as court music director. Several splendidly illustrated choir books originally belonged to the personal collection of the Bavarian dukes. The most beautiful one is the collection of motets by Cipriano de Rore for Duke Albrecht V, also available at Donemus. Choirbooks have all the parts on two facing pages, in contrast to the separate books for each voice that we see mostly in Renaissance editions.
The choirbook in the Bavarian State Library catalogued BSB Mus.ms. 32 (without title), dated 1565-1595, contains the propers of a number of Catholic liturgical feasts through the year. The propers are the texts in the mass that change every day, and include mostly an Introit - Gradual - Alleluia Song - (Tract) - Offertory - Communion. Sometimes there was a Sequence on special occasions.
The question remains: who is the composer of the first works in this book? The music breathes the same sober quality that we hear in the music of Ludwig Daser. We very often hear the cadenzas not solving in a dominant chord but in the sub-dominant chord. The typical F-G-sequences also suggest Daser’s hand.
When we look at the order of the works compared to the order of the Kapellmeisters in time there is a certain resemblance, however no proof whatsoever: Daser - Lassus - De Fossa. I tend to suppose that Ludwig Daser is our man. If not, Lassus could be the perpetrator too.
Cees Wagemakers