gerelateerde werken

Neoposing palaeoplain : for double string quartet and two mandolins, 1984-87, revision 1988 / Kim Bouwman

Genre: Kamermuziek
Subgenre: Gemengd ensemble (2-12 spelers)
Bezetting: 2man 4vl 2vla 2vc

Pontius : for small orchestra, 1990 / Maurice Horsthuis

Genre: Orkest
Subgenre: Orkest
Bezetting: 0021 2210 str(vl vc cb)

Quo vadis musica-symfonie : opus 33, for orchestra, (1985) / Jo Sporck

Genre: Orkest
Subgenre: Orkest
Bezetting: 2222 2220 2perc str(6-8.6-8.4-6.4-6.2-4.)

Zujte strune (Hum away, hum away, strings!) : Metamorphosis to themes from Mozart's opera 'The Magic Flute', for symphony orchestra / Isidora Žebeljan; on themes by W.A. Mozart

Genre: Orkest
Subgenre: Orkest
Bezetting: picc fl 2ob 2cl 2fg/cfg 4h 2tpt 2trb tb timp perc pf str

compositie

Metamorphosis : for orchestra / Kim Bowman

Overige auteurs:
Bowman, Kim (Componist)
Toelichting:
The writing of Metamorphosis for orchestra started off as an editing process of an old piece, written twenty years ago, using a composing application on the computer. Twenty years is a long time and the world and I had changed. Accordingly I saw the old piece disappear instead of being reworked and metamorphose into a new identity. It was like painting over an old canvas. Fresh music was written on top of the old. But undoubtedly some of the old had transferred into the new. And like the shell of a Cicada nymph that is left behind as a witness of the metamorphosis into its next stage in life and new form, the old piece is still hidden in the memory of the computer. Hypothetically by clicking ‘undo’ for every entry made to write the new piece, the old piece would eventually, after thousands of ‘undo’s’ re-appear from underneath.
Another analogy of this work process: Imagine a mountain range that is flooded until only the highest peaks remain above the water. That last bit of material that protrudes from the water becomes the new building blocks that I start expanding and multiplying into new structures.
"If" for soprano, violin, cello and orchestra written in 2016 has become a pivotal piece in my oeuvre in that it breaks with my previous hectic, recalcitrant style and dense scoring. It is much more a contemplative and smoothly flowing piece. Somehow Metamorphosis has revealed itself as a result of merging both styles of writing, but clearly is a much more aerodynamic piece than anything I have written before "If".