gerelateerde werken

Horcajo : for mezzo-soprano and piano, 1941 / poem by Mercedes Legrand, Rudolf Escher

Genre: Vocaal
Subgenre: Zangstem en piano
Bezetting: sopr-m pf

Seven Penitential Psalms & Five prayers of the Prophets after the psalms : for 4 voices / Alexander Utendal; transcribed and edited by Cees Wagemakers

Genre: Vocaal
Subgenre: Gemengd koor
Bezetting: voices

Sonata da camera : per flauto e arpa, opus 42, 1951 / Marius Flothuis

Genre: Kamermuziek
Subgenre: Fluit en harp
Bezetting: fl hp

Ein Schemen (shortened for Anima Obscura Prologue) : for harp, mixed choir, electronics and orchestra / Yannis Kyriakides

Genre: Vocaal
Subgenre: Gemengd koor en orkest
Bezetting: GK4 2fl 2ob 2cl 2bsn 4h 2tp 2trb tb perc hp str soundtrack

 

compositie

Two Symphonies and Postumus : for string quartet

Uitgavenummer: 16566
Genre: Onbekend
Tijdsduur: 18'00"
Compositiejaar: 2011-2012
Status: nog niet gedigitaliseerd (verwachte levertijd 14 dagen)

Auteur(s):
Kerkelov, Peter (Componist)
Toelichting:
Commissioned by the Dutch Chamber Music Society.
The Netherlands is a very windy country; this is probably why I got so fascinated by wind chimes. Not only by their sweet, beautiful sound, but also by the idea of sounds randomly winding in an endless circle – is randomness chaos? - or is it in fact a different order? These two radically clashing ideas create the two symphonies – like two worlds, which are so far and at the same time, so close to each other; sometimes it is hard to draw the line between them. And after… -What is after?... After the circle is completed, is there something more? Just like in the Universe - is there an end?- or is there another “post-world of circles"?

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