Senfl, Ludwig

Ludwig Senfl (c. 1486-1543) was born around 1486, possibly in Basel. He lived in Zürich from 1488 until 1496 when he joined the choir of the Hofkapelle of Emperor Maximilian ...

gerelateerde werken

Collectio Canticorum : 50 sacred songs for 4-6 voices (Volume 4) / Various composers, assembled by Joannes Otto; transcribed and edited by Cees Wagemakers

Genre: Vocaal
Subgenre: Gemengd koor
Bezetting: GK

Il trovatore : canto per coro da camera a cappella, 1984 / parole di Giovanni Berchet, Nico Schuyt

Genre: Vocaal
Subgenre: Gemengd koor
Bezetting: 4sopr 4alt 4ten 4bas

Collective Love : 4 songs for mixed choir / Reza Nakisa; on poems by Sohrab Sepehri, Ahmad Shamlou and Nima Yushij

Genre: Vocaal
Subgenre: Gemengd koor
Bezetting: GK

The Third Book of Madrigals : for 5 voices / Vincenzo Ruffo (and some other composers); transcribed and edited by Cees Wagemakers

Genre: Vocaal
Subgenre: Gemengd koor
Bezetting: GK



36 Sacred Songs : for 4 voices / Ludwig Senfl and Heinrich Isaac; transcribed and edited by Cees Wagemakers

Uitgavenummer: 16977
Genre: Vocaal
Subgenre: Gemengd koor
Bezetting: GK
Bijzonderheden: Early Music Edition. Single titles available separately.
Compositiejaar: 1531
Status: Unieke collectie Renaissance-handschriften overgebracht naar hedendaagse notatie. Honderden vocale werken die in verschillende bibliotheken in Europa waren weggestopt en nu voor het eerst beschikbaar zijn dankzij redacteur Cees Wagemakers.

Overige auteurs:
Isaac, Heinrich (componist)
Wagemakers, Cees (editor)
Spiritus Domini (Introit) (5’15”)
Benedicta sit Sancta Trinitas (Introit) (5 vv.) (6’15”)
Alleluia. Benedictus es Domine Deus (1’45”)
Benedicta semper sit Trinitas (Hymn) (3-6 vv.) (12’)
Benedicimus Deum (Communion) (2’15”)
Cibavit eos (Introit) (5’30”)
Alleluia. Caro mea (3’45”)
Lauda Sion Salvatore (Sequence) (15’)
Qui mandicat carnem (Communion) (1’45”)
Gaudeamus omnes in Domino (Introit) (5’45”)
H.I.: In Maria benignitas (2’)
Alleluia. Veni Sancte Spiritus (4/3/6 vv.) (2’15”)
Veni præcelsa domina (Hymn) (6’15”)
Alleluia. Assumpta est Maria (2’)
Congaudent angelorum chori (Hymn) (7’30”)
Dilexisti iustitiam (Communion) (1’30”)
Alleluia. Nativitas gloriosæ Virginis (2’45”)
Stirpe Maria regia (Hymn) (4’45”)
Diffusa est gratia (Communion) (2’)
Alleluia. Vox exultationis (2’15”)
Omnes Sancti (Hymn) (6’)
Gaudete iusti in Domino (Communion) (1’:15”)
Sancti Spiritus assit nobis (Hymn) (11’)
Salve, sancta parens (Introit) (4’15”)
Sancta Dei genitrix (2’15”)
Verbum bonum et suave (3’)
Beata viscera Mariæ (Communion) (1’45”)
Terribilis est locus iste (Introit) (4’30”)
Hæc domus aule celestis (Hymn) (6’30”)
Domus mea domus orationis (Communion) (2’30”)
Factus est repente (Communion) (2’30”)
Alleluia. Emitte Spiritum tuum (2’)
Veni Sancte Spiritus (Sequence) (4/5 vv.) (6’15”)
Spiritus Sanctus docebit vos (Communion) (1’)
Accipite iucunditatem (Introit) (5’15”)
Spiritus qui a Patre procedit (Communion) (1’15”)
The Bavarian State Library (Bayerische Staats Bibliothek in Munich, Germany) has a unique collection of large folio format choirbooks from the Bavarian court music ensemble, predominantly from the time of Orlando di Lasso serving as court music director. Several splendidly illustrated choir books originally belonged to the personal collection of the Bavarian dukes. The most beautiful one is the collection of motets by Cipriano de Rore for Duke Albrecht V, also available at Donemus (D 16092). Choirbooks have all the parts on two facing pages, in contrast to the separate books for each voice that we see mostly in Renaissance editions. So a page turn had to come at the same moment for all the voices. There is a large number - and still growing - of choirbooks from the 16th century in the Bavarian State Library the transcriptions of which are also being published by Donemus.
Cees Wagemakers, 2018

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