gerelateerde werken
Genre:
Vocaal
Subgenre:
Gemengd koor
Bezetting:
GK
I am Ericka : for mixed choir, 1972, revision 1988 / text: Ericka Huggins, Bernard van Beurden
Genre:
Vocaal
Subgenre:
Gemengd koor
Bezetting:
GK3
Two Latvian Folksongs : for mixed choir / Georgs Pelecis
Genre:
Vocaal
Subgenre:
Gemengd koor
Bezetting:
GK
Genre:
Vocaal
Subgenre:
Gemengd koor
Bezetting:
GK
compositie
Gospel Motets (Volume I) : for 4, 5, 6 and 8 voices / Various composers; transcribed and edited by Cees Wagemakers
Overige auteurs:
Wagemakers, Cees
(Editor)
Anonymous (Early Music)
(Componist)
Bevat:
Martin Peudargent: Te Deum Patrem (5’15”)
Dominique Phinot: Sancta Trinitas (3’)
Thomas Crequillon: Zachæe festinans descende (6’15”)
Anon.: Vidi Ierusalem (5’45”)
Francesco Lupino: Domus mea orationis (3’15”)
Johannes de Hollande: Benedic Domine domum istam (6’45”)
Pierre de Manchicourt: Fundata est domus (5’30”)
Pierre de Manchicourt: Vere Dominus est in loco isto (5’30”)
Petrus Messens: In dedicatione huius templi (6’15”)
Johannes Lupi: Benedictus Dominus Deus Israel (3’45”)
Dominique Phinot: O altitudo divitiarum (4’15”)
Cornelius Canis: Gloria tibi, Trinitas (4’15”)
Gioseffo Zarlino: Nemo potest venire ad me (6’30”)
Cipriano de Rore: O altitudo divitiarum (4’30”)
Antoine de Févin: Sancta Trinitas (3’15”)
Pierre de la Rue: Pater de coelis Deus (11’15”)
Jachet de Mantua: Sancta Trinitas (4’15”)
Toelichting:
Apart from many beautifully calligraphed choirbooks the Bavarian State Library (Bayerische Staatsbibliothek, Munich) contains a variety of part-books from the 16th century. The authors in this edition were mostly Franco-Flemish composers, and most of them not very well remembered these days. Some of the names we see regularly in today’s repertoire, like De Manchicourt, Zarlino, Crequillon, Arcadelt, Clemens non Papa, De la Rue, Gombert and Vaet. But some names are rare or even unheard of: Du Pont, Lupino, Junckers, Comes, Jordan. The more surprising are their contributions to this album. Although more or less written in the same style of the mid-16th century of Flanders, there are jewels of pleasant sounding polyphony among them.
Cees Wagemakers, 2019