componist
gerelateerde werken
Genre:
Vocaal
Subgenre:
Gemengd koor
Bezetting:
GK
Genre:
Vocaal
Subgenre:
Gemengd koor
Bezetting:
GK8
Isogloss : 24 solo voices, 12 pairs of planks-12 maracas-12 megaphones, 1985 / Klas Torstensson
Genre:
Vocaal
Subgenre:
Gemengd koor
Bezetting:
6sopr 6alt 6ten/bar 6bas
Genre:
Vocaal
Subgenre:
Gemengd koor
Bezetting:
GK4
compositie
Gospel Motets (Volume II) : for 4, 5, 6 and 8 voices / Various composers; transcribed and edited by Cees Wagemakers
Overige auteurs:
Wagemakers, Cees
(editor)
Bevat:
Carolus Souliart: Panis quem ego dabo (7’)
Clemens non Papa: Unus panis et unum corpus (5’30”)
Jacobus Vaet: Ave salus mundi (4’15”)
Gossen Junckers: Misit me Pater vivens (4’15”)
Jachet de Mantua: Fratres, ego enim accepi (5’15”)
Adrian Willaert: Homo quidam fecit coenam (8’)
Jacques du Pont: Coenantibus illis (5’)
Ivo (de Vento?): Panis quem ego dabo (4’30”)
Petrus Iordanus: Ecce panis Angelorum (4’15”)
Johannes Lupi: Panis quem ego dabo (4’45”)
Francesco Lupino: O sacrum convivium (2’)
Jacques Buus: Qui manducat meam carnem (6’45”)
Francesco Lupino: Ego sum panis vivus (4’15”)
Simon Boyleau: Respexit Elias (5’45”)
Mathieu Gascogne: Caro mea vere est cibus (6’15”)
Clemens non Papa: Ego sum panis vivus (5’15”)
Clemens non Papa: Ave verum corpus (3’45”)
Anon.: Respexit Elias (4’30”)
Bartolomeo Comes: Caro mea vere est cibus (3’15”)
Bartolomeo Comes: Coenantibus illis (5’30”)
Bartolomeo Comes: O sacrum convivium (4’45”)
Nicolas Gombert: O admirandum Sacramentum (7’15”)
Gioseffo Zarlino: O sacrum convivium (3’)
Clemens non Papa: Misit me vivens Pater (4’45”)
Nicolle des Celliers de Hesdin: Parasti in dulcedine (6’)
Jacques Arcadelt: O sacrum convivium (2’45”)
Nicolas Gombert: Ave salus mundi (3’45”)
Dominique Phinot: O sacrum convivium (3’)
Toelichting:
Apart from many beautifully calligraphed choirbooks the Bavarian State Library (Bayerische Staatsbibliothek, Munich) contains a variety of part-books from the 16th century. The authors in this edition were mostly Franco-Flemish composers, and most of them not very well remembered these days. Some of the names we see regularly in today’s repertoire, like De Manchicourt, Zarlino, Crequillon, Arcadelt, Clemens non Papa, De la Rue, Gombert and Vaet. But some names are rare or even unheard of: Du Pont, Lupino, Junckers, Comes, Jordan. The more surprising are their contributions to this album. Although more or less written in the same style of the mid-16th century of Flanders, there are jewels of pleasant sounding polyphony among them.
Cees Wagemakers, 2019