gerelateerde werken
mais le corps taché d'ombres : for harp and string orchestra / Rick van Veldhuizen
Genre:
Orkest
Subgenre:
Harp en strijkorkest
Bezetting:
hp-solo str
Gemini : for divided symphonic band / Frédéric Devreese
Genre:
Orkest
Subgenre:
Harmonieorkest
Bezetting:
4fl 4ob 7cl cl-b cl-cb sax-s sax-a sax-t sax-bar 2fg cfg 4h 4trp 4trb 2bar bass tb pf hp timp 4perc vc(ad lib) db
Majestic Days : for harmony orchestra and audiotrack / Chiel Meijering
Genre:
Orkest
Subgenre:
Harmonieorkest
Bezetting:
picc 4fl ob bs 9cl 4sax-a 3sax-t sax-b-solo sax-b fh 11tpt 2trb 2euph 3tb perc
Codex Z : for large wind orchestra and bambuso sonoro ad libitum, 1991 / Enrique Raxach
Genre:
Orkest
Subgenre:
Harmonieorkest; Orgel en HaFaBra
Bezetting:
4.3.16.2 5sax 4544 5perc cb/cl-a (bambuso sonoro/synth/org ad lib.)
compositie
(un)mensch : for symphonic wind orchestra / Rick van Veldhuizen
Overige auteurs:
Veldhuizen, Rick van
(Componist)
Toelichting:
(un)mensch is a piece about radicalisation, and the tendency of humans to seek extremes. In current times, as in times past, people have dismissed radical or extreme behaviours as ‘inhuman’ or ‘evil’ behaviour, in the process distancing our humanity from it. This refusal to accept extremes as naturally human leads us astray, ‘Othering’ people we perceive to be different, and losing our concept of a shared humanity.
This piece takes the biggest villain in history, Adolf Hitler, as its starting point. Often considered ‘inhuman’ so one doesn’t have to associate oneself with him, portrayals of this historical figure paradoxically also paint him as a madman, plagued by amphetamine addiction, tinnitus and mental disorder. In short, his evil is often portrayed as both inhuman and quintessentially human.
(un)mensch, in turn, seeks to radicalize existing musical styles and ideas. From Ligeti-like micropolyphonies to Glass’s arpeggios and the unofficial anthem of the Third Reich, everything gets turned into a blurred, topsy-turvy version of itself. At the centre of this is an extensive quote from Richard Wagners Das Rheingold: the emerging and explosion of an idyllic, nationalistic dream, the fair copy of which perished with Hitler in his bunker in 1945.
Rick van Veldhuizen
26 March 2015