componist

Raasakka, Ville

Ville Raasakka is a composer based in Helsinki, Finland. He works with ecology and environmental sounds. His compositional practice ranges from orchestral and chamber music to electronics, installation and performance ...

gerelateerde werken

Black Cloud, Under Ground : for orchestra / Ville Raasakka

Genre: Orkest
Subgenre: Orkest
Bezetting: fl fl-a ob eh 2cl(cl-b) fg cfg 4h 2tpt 3trb tb 2perc str

Tripp : for quintet / Amos Elkana

Genre: Kamermuziek
Subgenre: Gemengd ensemble (2-12 spelers)
Bezetting: fl/picc/fl-a cl/cl-b vn vc pf

Le Vie del Vento Divino : version for ney, two bass flutes, contrabass flute and percussion / Katia Tiutiunnik

Genre: Kamermuziek
Subgenre: Gemengd ensemble (2-12 spelers)
Bezetting: ney 2fl-b fl-cb perc

Intuitions II : for violin, clarinet, trumpet and bassoon / Walter Hekster

Genre: Kamermuziek
Subgenre: Gemengd ensemble (2-12 spelers)
Bezetting: vl vc trp fg

 

compositie

The Moss Slowly Growing : for flute and guitar / Ville Raasakka

Uitgavenummer: 21175
Genre: Kamermuziek
Subgenre: Gemengd ensemble (2-12 spelers)
Bezetting: fl gtr
Bijzonderheden: Commissioned by Duo Hav. First performance June 9th 2022 at the Koncert Kirken, Copenhagen, Duo Hav, Marianne Sihvonen, flute, Alvi Joensen, guitar.
Tijdsduur: 10'00"
Aantal spelers: 2
Compositiejaar: 2022
Status: volledig gedigitaliseerd (direct leverbaar)

Toelichting:
One of biggest threats to the Finnish ecosystems is the loss of biodiversity. The loss of biodiversity is sometimes simply referred to as loss of nature. According to The Finnish Association for Nature Conservation, only 3% of forest areas are oldgrowth forests. Rest of the forests are mainly monoculture forests used for harvesting timber. Instead of forests, these areas should be called tree farms.
Dead and decaying wood is vital for a diverse forest, both for the species and the soil. Every fifth extinction event in Finland is caused by the reason that there are no more dead trees decaying on the forest floor, as all forests in a natural state should have in abundance.
In this composition for flute and guitar commissioned by Duo Hav I am concentrating on the delicate sounds of decaying wood, and the porous sound qualities of the flute and the guitar. I’m looking for a sound that is similar to the sensation of brushing the hand on a fallen, decaying tree. The moss slowly growing on its surface. The sounds and techniques used are developed in collaboration with Marianne Sihvonen and Alvi Joensen. The collaboration with Duo Hav has been exceptionally inspiring.
Ville Raasakka

Bladmuziek
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