componist
Though first known through his collaboration with director Barrie Kosky in the Opera Australia production of his The Ascension of Robert Flau (1990), Douglas Knehans (b. 1957) is perhaps best ...
gerelateerde werken
Black City : Concerto for violoncello and orchestra Nº 2 / Douglas Knehans
Genre:
Orkest
Subgenre:
Orkest
Bezetting:
vc-solo dulc pf hp sopr(offstage) 2fl(picc) 2ob 2cl 2fg(cfg) 4h 2tpt 2trb-t trb-b tb timp 3perc str
Dances : for violin and string orchestra / Jeroen D'hoe
Genre:
Orkest
Subgenre:
Viool en strijkorkest
Bezetting:
vn-solo str
Double Concerto : for two violins and string orchestra / Michael Fine
Genre:
Orkest
Subgenre:
Viool en strijkorkest
Bezetting:
2vn str
Nenia : Version for violin solo and strings / Victoria Vita Poleva
Genre:
Orkest
Subgenre:
Viool en strijkorkest
Bezetting:
vn-solo str
compositie
... mist, memory, shadow... : for violin and strings / Douglas Knehans
Toelichting:
"…mist, memory, shadow…" is a short elegiac work commemorating a triumvirate of things I consider iconically related to Tasmanian musical heritage.
First of all, mist stands centrally in the profound effect the environment exerts upon all Tasmanian musicians – its quiet, unrelenting and strong presence that seems to yield to neither time nor the modern world. Environment seems to exert an influence on all Tasmanian artists to draw them deeper into the timeless mysteries of place and our presence in that place.
Memory is linked with this, since the still environment of Tasmania’s natural wilderness seems to catalyse a reflection on the present and how this is contextualised within the past, and by implication also the future.
Shadow refers to both the incredible natural light of Tasmania but also the long ‘shadow’ cast by Jan Sedivka and the TSO on this very special place and the musical art that is borne and takes place here.
"…mist, memory, shadow…" is thus a kind of still elegy that gently reflects on place and people with a central section that is more assertive and keyed to the passions so necessary to establish art and music in this fragile, timeless island.
The work is dedicated to my good friend MA Jun-Yi and the tremendous TSO strings in honour of the 90th birthday of another good friend, master musician Jan Sedivka.
Douglas Knehans