gerelateerde werken

Cloud Ossuary : Symphony Nº 4 for soprano and orchestra / Douglas Knehans; words by Katarina Knehans

Genre: Vocaal
Subgenre: Zangstem en orkest
Bezetting: sop eh tpt 2perc hp str

Concerto : per flauto ed orchestra, 1945-'46 / Hans Henkemans

Genre: Orkest
Subgenre: Fluit en orkest
Bezetting: 3333 4331 timp perc cel hp str fl-solo

Melomotion : concerto for orchestra, 1990, revision 2003 / Ernst Oosterveld

Genre: Orkest
Subgenre: Fluit en orkest
Bezetting: 0112 4110 xyl vibr mar pf str fl-solo

Chamber concerto nr. 3 : for flute solo and chamber orchestra, 1993 / Joep Straesser

Genre: Orkest
Subgenre: Fluit en orkest
Bezetting: 0111 1100 perc str(8.6.5.4.2.) fl-solo

compositie

Tempest : Concerto for flute and orchestra / Douglas Knehans

Overige auteurs:
Knehans, Douglas (Componist)
Toelichting:
The title of this work refers to rough wind. When I was approached me about a new flute work the idea of a virtuosic wind player set my imagination to types of crazy, unrestrained wind. This led me to look into the natural occurrences of wild, unpredictable wind patterns around the world. This led in turn to the titles of the three movements: Ostro the traditional name of the southerly wind in the Mediterranean sea; Mistral, a cold northerly from central France and the Alps to Mediterranean–this movement I have also allied to the notion of a type of funeral march, hence the title Mistral… Funerailles with the cold wind perhaps summoning the notion of death and impermanence. Finally, the last frantic and virtuosic movement is titled Etesian which references a strong, dry north wind of the Aegean Sea which is most of the time a good steady sailing wind. The well-contained and metrical virtuosity of this movement seems to align with this welcome and sustaining wind that is good for travel.
In artistically interpreting all of these types of global wind patterns I have tried to invest a dramatic and virtuosic element to the corresponding wind music. I was asked for a piece without restrictions and so a concerto seemed the obvious vehicle for the soloist’s awesome technical power and completely beautiful musicianship. I am extremely fortunate to have Gareth Davies, principal flute of the London Symphony Orchestra, as the soloist for this work.
Douglas Knehans