gerelateerde werken

Black City : Concerto for violoncello and orchestra Nº 2 / Douglas Knehans

Genre: Orkest
Subgenre: Orkest
Bezetting: vc-solo dulc pf hp sopr(offstage) 2fl(picc) 2ob 2cl 2fg(cfg) 4h 2tpt 2trb-t trb-b tb timp 3perc str

Die nächtliche Heerschau : op. 23, 1922, m.s. van 1943 / ballade van Carl Loewe, ork. Willem Pijper

Genre: Vocaal
Subgenre: Zangstem en orkest
Bezetting: bar 2223 4230 timp 3perc str

Droomland : = Dreamland, voor bariton of alt en orkest, gedicht van J.J. Slauerhoff naar Edgar Allan Poe, for bariton or contralto and orchestra, op. 74 / Herman Mulder

Genre: Vocaal
Subgenre: Zangstem en orkest
Bezetting: bar/alt 3332 4000 timp perc hp str

Le printemps : première partie des "Saisons de Verlaine", pour soprano et orchestre / Willem Frederik Bon; tekst: Paul Verlaine

Genre: Vocaal
Subgenre: Zangstem en orkest
Bezetting: sopr 2fl fl-a 2ob eh 2cl cl(cl-b) 2fg 4h 2trp 3trb tb timp perc cel vibr mar hp str(12.12.10.8.6.)

compositie

Cloud Ossuary : Symphony Nº 4 for soprano and orchestra / Douglas Knehans; words by Katarina Knehans

Overige auteurs:
Knehans, Katarina (Tekstdichter/librettist)
Knehans, Douglas (Componist)
Toelichting:
Cloud Ossuary began as a setting of my daughter’s riveting and poignant poem Bones and All. When I first read this work, I was seized with an immediate desire to set it to music. So, almost as immediately I did indeed get to work on it.
The Ossein Cage, composed after the two movements that follow it, uses the same harmonic architecture as both subsequent movements, while Breathe Clouded is actually an inverted and compressed version of Bones and All. Thus, the whole of Cloud Ossuary sits as three different guises of the same material and structural approach, though with clear and dramatically different surfaces.
Douglas Knehans