componist
Man-Ching Donald Yu (余文正) (b.1980), Hong Kong born composer and pianist. His recent music is refined by the interweaving of post-minimalist and modernist traits; subtle transformation of various musical parameters ...
gerelateerde werken
Expansion : for piano / Man-Ching Yu Donald
Genre:
Kamermuziek
Subgenre:
Piano
Bezetting:
pf
L'Embargo : for viola and percussion / Katia Tiutiunnik
Genre:
Kamermuziek
Subgenre:
Gemengd ensemble (2-12 spelers)
Bezetting:
vla perc
Summer 2020 : for ensemble / Calliope Tsoupaki
Genre:
Kamermuziek
Subgenre:
Gemengd ensemble (2-12 spelers)
Bezetting:
fl-a cl trb perc vn vc db
Benares : for ensemble / Chiel Meijering
Genre:
Kamermuziek
Subgenre:
Gemengd ensemble (2-12 spelers)
Bezetting:
fl-h trp 2trb trb-b vib pf b-gtr
compositie
Lost Civilization : for chamber ensemble / Man-Ching Yu Donald
Toelichting:
The piece is inspired by the Chinese modern artist Zhang Guanghai’s painting Lost Civilization. It is the first time to associate music with the particular painting. The beginning of the music initiates with haunting dissonances generated by strings as well as chromatically-blended woodwind sections, symbolizing the dark and profound color characterized in the painting. Gradually surging into the climax at the dramatic and micropolyphonic-oriented central section where all the instruments culminate at high registrations, here the music imaginarily generalizes the motion of the bird in the painting. After finishing the climax, the music transforms into a rather mysterious moment where harmonics take place at the strings, featuring the gaps and lines emerged in the painting. Besides symbolizing the painting, the music reflects my intrigued profound feeling towards the recent political situation in Hong Kong where only true democratic freedoms are strived for as if the bird in the painting surges into the sky, but not being controlled and bounded by the dark boundaries. All in all, the music is characterized by the utilization of extensive chromatic elements as elaborated melodic lines and micropolyphonic elements, while fusing with harmonics, dissonance and Chinese color including Peking operatic effect.
Man-Ching Donald Yu