gerelateerde werken

Raas en de basketbal : Versie voor verteller en kamerorkest / Bram Kortekaas; tekst Jibbe Willems

Genre: Orkest
Subgenre: Spreekstem en orkest
Bezetting: spreekstem 2fl/picc 2ob 2cl 2fg/cfg 2h 2tpt trb [erc str

Masquerade : for orchestra / Edward Top

Genre: Orkest
Subgenre: Orkest
Bezetting: 3fl(picc) 2ob 2cl cl-b 2fg cfg 4h 2tpt 2trb trb-b tb timp 3perc hp str

Thin Air : Version for orchestra / Calliope Tsoupaki

Genre: Orkest
Subgenre: Orkest
Bezetting: 2fl 2ob 2cl 2fg 4h 2tpt 2trb tb str

Tango waltz : = Scherzo da ballo, for orchestra, 2003 / Diderik Wagenaar

Genre: Orkest
Subgenre: Orkest
Bezetting: 4454 6441 timp 2perc cel 2hp pf str

compositie

L'Élue : Prelude pour orchestre / Bram Kortekaas

Overige auteurs:
Kortekaas, Bram (Componist)
Toelichting:
L'Élue (The Chosen One) is written as a companion piece to Stravinsky’s Le Sacre du Printemps (The Rite of Spring). L'Élue is a prelude not just in the musical sense. Its story precedes the actions the ballet Le Sacre du Printemps.
Stravinsky’s ballet focusses on the collective actions of a pagan tribe. In L'Élue the attention is shifted to the individual within this tribe. The composition explores the feelings of a young woman, who is afraid of becoming the Chosen One for this year’s sacrifice.
Stravinsky’s concept of Day and Night for the first and second part of Le Sacre du Printemps (as described in The Rite of Spring: sketches 1911-1913, page xxi) are mirrored in L'Élue.
The composition starts with an impression of the night (La Nuit). At dawn, the first signs of Spring appear (À l'Aube du Printemps). This is noticed by the young woman, presented by the Alto Flute. The realization that the tribe’s yearly Spring sacrifice approaches fills her with dread. In a premonition, she sees herself as that year’s The Chosen One (La Prémonition de L’Élue). The premonition dissolves, after which Le Sacre du Printemps is performed attacca.