componist
Rick van Veldhuizen (*1994, Tilburg) although reared on pop and folk, discovered classical music at the age of 11. He started composing pretty much at that point.
Education: Starting in 2008, ...
gerelateerde werken
mais le corps taché d'ombres : for harp and string orchestra / Rick van Veldhuizen
Genre:
Orkest
Subgenre:
Harp en strijkorkest
Bezetting:
hp-solo str
Genre:
Electronische Muziek
Subgenre:
Gemengd ensemble (2-12 spelers) met elektronica
Bezetting:
cl vln acc tape
Paramyth : for clarinet, piano, violin and live electronics / Yannis Kyriakides
Genre:
Electronische Muziek
Subgenre:
Gemengd ensemble (2-12 spelers) met elektronica
Bezetting:
vn cl pf tape
ASMR : for ensemble and electronics / Andrius Arutiunian
Genre:
Electronische Muziek
Subgenre:
Gemengd ensemble (2-12 spelers) met elektronica
Bezetting:
sax-a g-e perc vn pf tape
compositie
Magyar újrakeverés : Theatrical action for tenor recorder, mezzosoprano, string orchestra and electronics / Rick van Veldhuizen
Toelichting:
Based on ethnomusicological recordings and manuscripts made by Béla Bartók and others, which were sung by people in the ethnically Hungarian parts of present-day Romania, Magyar újrakeverés playfully explores the question of when a version (whether it be written down, recorded or orally reproduced) is truly a definitive version – and whether that matters. As such, it pays homage not only to the original singers and their microtonal inflections, but also to Kate Bush’s work with the Trio Bulgarka and, more specifically, the remix tradition of the 1990s. And to the media these songs and remixes were rendered in – be they the oral tradition, phonograph rolls from 1911, LPs from 1938 or the DAW I’m using in 2023.
Rick van Veldhuizen