gerelateerde werken
24 capriccio's voor viool solo
Genre:
Kamermuziek
Subgenre:
Viool
Bezetting:
vl
Digital signals : for 3 percussionists, tape, computer and live electronics, 1996 / David Little
Genre:
Kamermuziek
Subgenre:
Slagwerk; Elektronica met verschillende instrumenten; Slagwerk met multimedia
Bezetting:
3perc tape computer live electronics
Mixed feelings : for four tracks and percussion / Tera de Marez Oyens
Genre:
Kamermuziek
Subgenre:
Slagwerk; Elektronica met verschillende instrumenten; Slagwerk met multimedia
Bezetting:
perc tape
Ontketening II : voor slagwerk, live electronica en banden, (1984) / Jan Boerman
Genre:
Kamermuziek
Subgenre:
Slagwerk; Elektronica met verschillende instrumenten; Slagwerk met multimedia
Bezetting:
4perc tape electronics
compositie
Grab it! : Version for percussion & soundtrack with video ad lib. / JacobTV - Jacob Ter Veldhuis
Overige auteurs:
Veldhuis, Jacob ter
(Componist)
Toelichting:
Originally composed for tenor sax November 1999 for Arno Bornkamp with financial support from the Dutch Performing Arts Fund. The world premiere took place at a concert called ‘Who’s afraid of…” at Vredenburg in Utrecht, February 2, 2000. After a performance by Arno in July 2000 at the World Sax Congress in Montreal, Grab it! became a repertoire piece and by request arranged for other instruments and combinations.
Growing up in the '60s with blues, jazz, and rock, American music had a profound influence on me. In Grab It!, I sought to explore the 'no-man’s-land' between speech and music. Speech inherently possesses melody and rhythm and I discovered that these qualities often intensify when people become emotional. Grab It! is based on the original speech of life-sentenced prisoners, whose verbal aggression aligns with the harsh sound of the tenor sax. I composed Grab It! as a duet—or a 'battle,' if you will—between the tenor sax and speech grooves, often in unison. The soloist 'competes' with a relentless barrage of syllables, words, and one-liners.
In jail suicide is not uncommon: ‘He tied one end around the pipe, and he hung himself. So he went out the back door rapped up in a green sheet with a tag on his toe…You lose everything!‘ Still Grab it! should also be understood as a ‘memento vivere’. Death row as a metaphor for life: Life is worth living. ‘Grab it!’