gerelateerde werken

Red, white and blues : Dutch new blues pieces, for piano, volume 1

Genre: Kamermuziek
Subgenre: Piano
Bezetting: pf

Blind boy Fuller : no. 1 (1966), revision (1968), for recorder (alto), piano, voice (facultative), a recording of "Thousand women blues" sung by Blind boy Fuller and recorded in Chicago 1940 / Jacques Bank

Genre: Kamermuziek
Subgenre: Blokfluit en toetsinstrument; Elektronica met verschillende instrumenten; Zangstem(men) en multimedia met of zonder instrument(en); Blokfluit en toetsinstrument met multimedia
Bezetting: (voice ad lib.) rec-a pf tape

Raaf : for alto saxophone solo with tape or alto saxophone, harpsichord and percussion, 2002 / Maarten van Norden

Genre: Kamermuziek
Subgenre: Gemengd ensemble (2-12 spelers); Saxofoon met multimedia; Elektronica met verschillende instrumenten; Gemengd ensemble (2-12 spelers) met multimedia
Bezetting: sax-a tape/sax-a cemb perc

Something wicked : for flute, piano and soundtracks, 2002 / Gerard Beljon

Genre: Kamermuziek
Subgenre: Fluit en toetsinstrument; Elektronica met verschillende instrumenten; Fluit en toetsinstrument met multimedia
Bezetting: fl(fl-a pic) pf tape

compositie

Pale Moon in a Very Blue Sky : for clarinet or soprano sax and soundtrack / JacobTV - Jacob Ter Veldhuis

Overige auteurs:
Veldhuis, Jacob ter (Componist)
Toelichting:
One early morning in the Dutch Mountains, ( the Utrechtse Heuvelrug) I saw a pale moon in a very blue sky, unspoilt by chemtrails, because Amsterdam Airport nearby was closed due to the corona pandemic. I was moved and inspired by this natural beauty and recorded a long improvisation in my studio, which I later condensed into a substantial composition, which sounded like an Indian raga, because of the melodic scale and the ambient drone I added to it, which included sampled Asian instruments. I imagined the Indian bansuri flute to be an ideal solo instrument, but then Laura Lentz explored the piece on her alto flute, which appeared to be the perfect instrument for Pale Moon. Laura also proposed to expand the piece by including an 8 bar improvisation section. Sound engineer Marc Webster recorded Laura’s briljant performance of Pale Moon at his Blue on Blue Recording Studio in Rochester NY. They released the recording on an EP called ‘Jacob’s Triptych’ along with 2 other flute pieces: Loudly and Clearly and Lipstick.