gerelateerde werken

24 capriccio's voor viool solo

Genre: Kamermuziek
Subgenre: Viool
Bezetting: vl

Concert voor 12 saxofoons : 1990 / Ludwig Otten

Genre: Kamermuziek
Subgenre: Saxofoon
Bezetting: sax-so 2sax-s 3sax-a 3sax-t 2sax-b sax-bas

5 Fragments : for solo soprano saxophone / Bernard van Beurden

Genre: Kamermuziek
Subgenre: Saxofoon
Bezetting: sax-s

Quarter Tone Waltz : for alto saxophone / Gordan Tudor

Genre: Kamermuziek
Subgenre: Saxofoon
Bezetting: sax-a

compositie

Postnuclear Winterscenario No. 10 : for saxophone quartet / JacobTV - Jacob Ter Veldhuis

Overige auteurs:
Veldhuis, Jacob ter (Componist)
Toelichting:
On January 23 1991, shortly after the Gulf War broke out, I felt speechless and unable to compose. In the media, meteorologists predicted apocalyptical consequences for the climate and the environment, similar to the effects of a nuclear war. In the New York Times they called it a ‘postnuclear winterscenario’.
I then decided to express my speechlessness in music. In just a few hours time, Postnuclear Winterscenario for solo piano was written, probably the most simple score I ever wrote. All musical material was reduced to a minimum. The 'melody' consists of one single note, an E, that is repeated endlessly. The harmonic accompaniment consists of only four different notes: B, A, G, F#.
There are no rhythmical, melodical or harmonical developments. The main way of expression is in the repetition and the delivery.
Postnuclear Winterscenario No.1 - as we call it now - was performed numerous times worldwide by Kees Wieringa, even in Iraq, on the ruins of Babylon. Soon musicians asked me to arrange the work for their instruments and so I wrote versions for string quartet (my string quartet no.2), for choir, for percussion, for one and two electric guitars, for saxophone quartet, for string orchestra and finally in 2005 for symphony orchestra. Each scenario is a bit different, but they all have the same mood in common: speechlessness about war and devastation.