gerelateerde werken
Genre:
Kamermuziek
Subgenre:
Piano; Viool en toetsinstrument
Bezetting:
pf pf4h 2pf vl and pf
Oud Lied - Ballade : for voice and piano / Rosy Wertheim; words by Ada Gerlo (Annie Salomons)
Genre:
Vocaal
Subgenre:
Zangstem en piano
Bezetting:
zang pf
Drie liederen : voor lage stem en piano / op tekst van Walt Whitman, Wolfgang Wijdeveld
Genre:
Vocaal
Subgenre:
Zangstem en piano
Bezetting:
low pf
Vier Liederen : for voice and piano / Sem Dresden; words by Anthonie Donker
Genre:
Vocaal
Subgenre:
Zangstem en piano
Bezetting:
zang pf
compositie
Eighteen French Chansons : for voice and piano / Marjo Tal; poetry by Paul Fort, Robert Desnos, Pierre de Ronsard, Charles Cros and Paul Verlaine
Overige auteurs:
Desnos, Robert
(Tekstdichter/librettist)
Fort, Paul
(Tekstdichter/librettist)
Ronsard, Pierre de
(Tekstdichter/librettist)
Verlaine, Paul
(Tekstdichter/librettist)
Tal, Marjo
(Componist)
Bevat:
La Ronde (Paul Fort)
Le Pélican (Robert Desnos)
Le Brochet (Robert Desnos)
Conte de fée (Robert Desnos)
L'anémone que régnait sur la mer (Robert Desnos)
L'ours (Robert Desnos)
Mignonne (Pierre de Ronsard)
Bonne Fortune (Charles Cros)
Valse (Charles Cros)
Impression fausse (Paul Verlaine)
Le petit Rentier (Paul Fort)
J'ai des petites fleurs bleues (Paul Fort)
Le Bonheur (Paul Fort)
La Semaine (Paul Fort)
La Noce (Paul Fort)
La chanson des marins hâlés (Paul Fort)
Couplets de la Rue Saint-Martin (Robert Desnos)
Couplet du trottoir d'Été (Robert Desnos)
Toelichting:
The series 'Forbidden Music Regained' proudly presents works by composers who were persecuted during the Second World War. Performances of these works were forbidden during the war. Many composers were imprisoned, several did not survive and others went into hiding.
After the war a new generation took over. The pre-war composers were soon forgotten and their compositions remained hidden in closets and archives or fell otherwise into oblivion. In recent decades numerous works have been rediscovered through the efforts of the Leo Smit Foundation. Some scores were found in attics, others in a garden shed and a pile of music was found by young children next to a garbage can. These compositions are of a high quality and deserve to be performed again. The diversity of styles represents the entire spectrum of the first half of the Twentieth century: romanticism, impressionism, modernism, neoclassicism, jazz, and so forth. This project aims to encourage musicians, young and old, from across the globe to perform these compositions, and for concert audiences to (once again) become acquainted with this ‘unheard’ music.