gerelateerde werken

24 capriccio's voor viool solo

Genre: Kamermuziek
Subgenre: Viool
Bezetting: vl

Hexa : voor twee ensembles, 1984 / Henk van der Meulen

Genre: Vocaal
Subgenre: Vocaal ensemble (2-12) en groot ensemble; Zangstem(men) en multimedia met of zonder instrument(en)
Bezetting: ensemble 1: sopr eh cl-b trb el.g el.pf vc ensemble 2: sopr/alt eh cl-b trb el.g(g-b) el.pf ham.org vc electronics

Le cheval mort : mezzo-soprano, bass clarinet, piano, percussion: marimba + tamtam, 2 synthesizers, 4 channel tape / text: Aloysius Bertrand, Will Eisma

Genre: Vocaal
Subgenre: Zangstem en instrument(en); Zangstem(men) en multimedia met of zonder instrument(en)
Bezetting: sopr-m cl-b perc pf 2synth tape

Last light : voor sopraan-, tenor- en baritonsolo, jongenskoor, twee 4-stemmige gemengde koren, klanksporen en orkest, opus 26, 1990 / Huub Kerstens

Genre: Vocaal
Subgenre: Gemengd koor en orkest; Zangstem(men) en multimedia met of zonder instrument(en)
Bezetting: sopr ten bar JoK2 2GK4 3334 4441 timp 6perc hp pf str tape

compositie

Van grote en kleine vogels : for soprano and soundtrack / JacobTV - Jacob Ter Veldhuis

Overige auteurs:
Lucebert (Tekstdichter/librettist)
Veldhuis, Jacob ter (Componist)
Bevat:
De staat van eendracht
Doodlopende weg
Van grote en kleine vogels
Toelichting:
The sampler made its debut in music at the end of the eighties. In 1987 - especially for this commission - I became the proud owner of the Akai S900. Lucebert's whimsically expressive poetry required a large palette of timbres and I sampled everything that made noise: wine glasses, pots and pans, a leaking gutter, a dripping drainpipe and voices of my girlfriend Kristien and others. Also I owned the PPG2 in addition to Yamaha's renowned DX7. The soundtrack was mixed to a Revox mastering machine from a Fostex eight-track, very advanced at the time.
I still had to write the score by hand though, computers were still too limited. Djoke sang it many times in museums, at exhibition openings, live on the radio in Ton Hartsuiker's Musica Nova, and I usually did the sound engineering myself.
I added a literal English translation to make the music more accessible internationally.