gerelateerde werken
Concerto : for amplified cello and 15 instrumentalists, 1978 / James Fulkerson
Genre:
Orkest
Subgenre:
Cello en groot ensemble
Bezetting:
0031 0240 2perc pf 2cb vc-solo
Graffiti : ondes martenot, percussion [and] piano, 1975 / Walter Hekster
Genre:
Kamermuziek
Subgenre:
Gemengd ensemble (2-12 spelers); Elektronica met verschillende instrumenten; Gemengd ensemble (2-12 spelers) met multimedia
Bezetting:
ondes martenot perc pf
Blue flute : for flute and two-channel tape recorder, 1979 / Robert Rowe
Genre:
Kamermuziek
Subgenre:
Fluit; Elektronica met verschillende instrumenten; Fluit met multimedia
Bezetting:
fl tape
Trio : for bassinstrument, percussion and tape, (Combattimento ritmico II) / Tera de Marez Oyens
Genre:
Kamermuziek
Subgenre:
Variabele instrumentatie; Elektronica met verschillende instrumenten; Variabele instrumentatie met multimedia
Bezetting:
bass-instr perc tape
compositie
For Morty Feldman, II : for tuba solo and pre-recorded tape, 1991 / James Fulkerson
Overige auteurs:
Fulkerson, James
(Componist)
Toelichting:
Program note (English): This work is composed in two parts: the first for solo tuba, the second for tuba and pre-recorded tape. In section I, I have used a graphic notation which is derived from the semiotic poetry of the Brazilian poets Pinto and Pignatari. I have explored this approach to musical notation in two series of previous works: Patterns - a series of solo works (1971-1977) and Co-ordinative systems - a series of works for solo/ensemble works (1971-1976). This notation develops visual or non-verbal thinking, often presenting the interpreter with paradoxes or visual koans. The material which is to be played is not specified but the clarity of performance which the notation induces is indeed the 'composition.' It is an improvisational score but it is not an improvisation. Part II requires the player to make a pre-recorded tape so that the listener is hearing a tuba trio. Compositionally, the section is straightforward music-making. The concerns are with tone color, weight, line, and harmony
(mostly clusters). Sound masses float in space, are connected or not, evolve or remain static. It is the sound of the tuba. - JAMES FULKERSON