gerelateerde werken

The wind, high : for bass-baritone, flute and vibraphone, 1994 / on a poem by Fernando Pessoa, translation: Jonathan Griffin, James Fulkerson

Genre: Vocaal
Subgenre: Zangstem en instrument(en)
Bezetting: bas-bar fl vibr

Hoe hard is hout : for soprano, alto, tenor and baritone saxophones, computer and sound generators, 1989 - 1992 / Geurt Grosfeld, Henri Broeren

Genre: Kamermuziek
Subgenre: Saxofoon; Elektronica met verschillende instrumenten; Saxofoon met multimedia
Bezetting: 4sax computer electronics

Kosmoi : voor hobo/enkelzijband-modulator/oktaafdeler/trapjeskromme generatoren/Putney/Rückkopplung, 1974/75 / Bernard van den Boogaard

Genre: Kamermuziek
Subgenre: Hobo; Elektronica met verschillende instrumenten; Hobo met multimedia
Bezetting: ob electronics

Hello windyboys / Misja Mengelberg

Genre: Kamermuziek
Subgenre: Blazersensemble (2-12 spelers); Elektronica met verschillende instrumenten; Blazersensemble (2-12 spelers) met multimedia
Bezetting: 2fl 2ob 2cl 2fg 2h electronics

compositie

For Morty Feldman, II : for tuba solo and pre-recorded tape, 1991 / James Fulkerson

Auteur(s):
Fulkerson, James (Componist)
Toelichting:
Program note (English): This work is composed in two parts: the first for solo tuba, the second for tuba and pre-recorded tape. In section I, I have used a graphic notation which is derived from the semiotic poetry of the Brazilian poets Pinto and Pignatari. I have explored this approach to musical notation in two series of previous works: Patterns - a series of solo works (1971-1977) and Co-ordinative systems - a series of works for solo/ensemble works (1971-1976). This notation develops visual or non-verbal thinking, often presenting the interpreter with paradoxes or visual koans. The material which is to be played is not specified but the clarity of performance which the notation induces is indeed the 'composition.' It is an improvisational score but it is not an improvisation. Part II requires the player to make a pre-recorded tape so that the listener is hearing a tuba trio. Compositionally, the section is straightforward music-making. The concerns are with tone color, weight, line, and harmony
(mostly clusters). Sound masses float in space, are connected or not, evolve or remain static. It is the sound of the tuba. - JAMES FULKERSON