componist

Fulkerson, James

James Fulkerson werd op 2 juli 1945 in Illinois (USA) geboren. Opleiding Hij studeerde aan de Wesleyan University (B.A., 1966) en de University of Illinois (M.M., 1969). Hij had tromboneles van Carmine ...

gerelateerde werken

Studs II : for percussion quartet, 1994 / James Fulkerson

Genre: Kamermuziek
Subgenre: Slagwerk
Bezetting: 4perc

Spåra : 1984 / Klas Torstensson

Genre: Orkest
Subgenre: Groot ensemble (12 of meer spelers)
Bezetting: 0000 sax-a sax-t sax-t(panfl) 0000 4perc(panfl) 2g-b g-b(panfl) 2el.pf electronics

The Harvest : for ensemble / Ville Raasakka

Genre: Orkest
Subgenre: Groot ensemble (12 of meer spelers)
Bezetting: fl ob cl cl-b fg h tpt trb 2perc pf 2vn vla vc db

Air : for chamber orchestra / Hanna Kulenty

Genre: Orkest
Subgenre: Groot ensemble (12 of meer spelers)
Bezetting: fl cl sax-a sax-t h 3trp 2trb trb-b pf g-b

 

compositie

Pessoa I : for instrumental ensemble, 1992 / James Fulkerson

Uitgever: Amsterdam: Donemus, cop. 1992
Uitgavenummer: 08136
Genre: Orkest
Subgenre: Groot ensemble (12 of meer spelers)
Bezetting: 2010 2sax 2121 vibr el.g g-b pf
Bijzonderheden: Voor 2 fluiten, klarinet, 2 altsaxofoons, trompet, 2 hoorns, 2 trombones, tuba, el. gitaar, piano, basgitaar en vibrafoon. - Met voorw. - Opgedragen aan De Ereprijs. - Tijdsduur: ca. 14'
Tijdsduur: 14'00"
Aantal spelers: 15
Compositiejaar: 1992
Status: nog niet gedigitaliseerd (verwachte levertijd 14 dagen)

Toelichting:
Program note (English): Pessoa's heteronyms coped with a problem which afflicts everyone writing now. 'I must say that', one thinks, 'and yet how, in this day and age, can I? It is me, but only part of me. A part, but still essential. It will be false if I write as I.' Any honest writer now has at times to make so many qualifications that they either overload his art or inhibit it, unless a persona enables him to explore without hedging. Pessoa set himself free by hiving off three great swarms of his thoughts and feelings, and setting them free ... (Jonathan Griffin, Fernando Pessoa: selected poems, Harmondsworth, 1971). This problem of living with images which float constantly in and out of the edges of one's conciousness is a problem which we all experience and indeed, Griffin's statement brilliantly states the dilemma which it creates for us. Yet, these images continue to go in and out of our consciousness precisely because of this dilemma. We cannot use them because they 'belong to someone else'
or 'because one cannot use that kind of material' - yet - they continue to re-appear because they demand to be confronted and worked through them and because I believe we can only write about that which we know firsthand. - JAMES FULKERSON

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