gerelateerde werken

String quartet No. 4 / James Fulkerson

Genre: Kamermuziek
Subgenre: Strijkkwartet (2 violen, altviool, cello)
Bezetting: 2vl vla vc

Fast : ensemble, 2004 / Maarten Altena

Genre: Orkest
Subgenre: Groot ensemble (12 of meer spelers)
Bezetting: 1111 1110 mar hp pf 2vl vla vc cb

Concierto del Luna : for flute, guitar and chamber orchestra / Michael Fine

Genre: Orkest
Subgenre: Groot ensemble (12 of meer spelers)
Bezetting: fl-solo g-solo ob cl fg h tpt timp perc 2vn vla vc db

Toccata e Canzone : for violin, organ, timpani and string orchestra / Olga Victorova

Genre: Orkest
Subgenre: Groot ensemble (12 of meer spelers)
Bezetting: vn-solo org timp str

 

compositie

Pessoa I : for instrumental ensemble, 1992 / James Fulkerson

Uitgever: Amsterdam: Donemus, cop. 1992
Uitgavenummer: 08136
Genre: Orkest
Subgenre: Groot ensemble (12 of meer spelers)
Bezetting: 2010 2sax 2121 vibr el.g g-b pf
Bijzonderheden: Voor 2 fluiten, klarinet, 2 altsaxofoons, trompet, 2 hoorns, 2 trombones, tuba, el. gitaar, piano, basgitaar en vibrafoon. - Met voorw. - Opgedragen aan De Ereprijs. - Tijdsduur: ca. 14'
Tijdsduur: 14'00"
Aantal spelers: 15
Compositiejaar: 1992
Status: nog niet gedigitaliseerd (verwachte levertijd 14 dagen)

Overige auteurs:
Fulkerson, James (Componist)
Toelichting:
Program note (English): Pessoa's heteronyms coped with a problem which afflicts everyone writing now. 'I must say that', one thinks, 'and yet how, in this day and age, can I? It is me, but only part of me. A part, but still essential. It will be false if I write as I.' Any honest writer now has at times to make so many qualifications that they either overload his art or inhibit it, unless a persona enables him to explore without hedging. Pessoa set himself free by hiving off three great swarms of his thoughts and feelings, and setting them free ... (Jonathan Griffin, Fernando Pessoa: selected poems, Harmondsworth, 1971). This problem of living with images which float constantly in and out of the edges of one's conciousness is a problem which we all experience and indeed, Griffin's statement brilliantly states the dilemma which it creates for us. Yet, these images continue to go in and out of our consciousness precisely because of this dilemma. We cannot use them because they 'belong to someone else'
or 'because one cannot use that kind of material' - yet - they continue to re-appear because they demand to be confronted and worked through them and because I believe we can only write about that which we know firsthand. - JAMES FULKERSON

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