componist

Fulkerson, James

James Fulkerson werd op 2 juli 1945 in Illinois (USA) geboren. Opleiding Hij studeerde aan de Wesleyan University (B.A., 1966) en de University of Illinois (M.M., 1969). Hij had tromboneles van Carmine ...

gerelateerde werken

The archaeology of silence : for mezzo-soprano, tape and live-electronics, 1990/1991 / poems by Fernando Pessoa, James Fulkerson

Genre: Vocaal
Subgenre: Zangstem solo; Elektronica en zangstem(men) met of zonder instrument(en)
Bezetting: sopr-m tape electronics

Birdstone : for 15 instruments / 2 groups, 1998 / Ivo van Emmerik

Genre: Orkest
Subgenre: Groot ensemble (12 of meer spelers)
Bezetting: 1111 1110 perc hp pf 2vl vla vc cb

Komodo dragons : for 6 recorders, 3 harpsichords, organ and 3 violas da gamba, 1988, revision 1990 / Chiel Meijering

Genre: Orkest
Subgenre: Groot ensemble (12 of meer spelers)
Bezetting: 6rec 0000 0000 3cemb org 3vladg

Funk Variations : for ensemble / Maarten van Norden

Genre: Orkest
Subgenre: Groot ensemble (12 of meer spelers)
Bezetting: 2fl 2cl sax-a sax-t fg 2h 2trp 2trb 3perc g-b pf 2vl vla vc db

 

compositie

Pessoa I : for instrumental ensemble, 1992 / James Fulkerson

Uitgever: Amsterdam: Donemus, cop. 1992
Uitgavenummer: 08136
Genre: Orkest
Subgenre: Groot ensemble (12 of meer spelers)
Bezetting: 2010 2sax 2121 vibr el.g g-b pf
Bijzonderheden: Voor 2 fluiten, klarinet, 2 altsaxofoons, trompet, 2 hoorns, 2 trombones, tuba, el. gitaar, piano, basgitaar en vibrafoon. - Met voorw. - Opgedragen aan De Ereprijs. - Tijdsduur: ca. 14'
Tijdsduur: 14'00"
Aantal spelers: 15
Status: nog niet gedigitaliseerd (verwachte levertijd 14 dagen)

Toelichting:
Program note (English): Pessoa's heteronyms coped with a problem which afflicts everyone writing now. 'I must say that', one thinks, 'and yet how, in this day and age, can I? It is me, but only part of me. A part, but still essential. It will be false if I write as I.' Any honest writer now has at times to make so many qualifications that they either overload his art or inhibit it, unless a persona enables him to explore without hedging. Pessoa set himself free by hiving off three great swarms of his thoughts and feelings, and setting them free ... (Jonathan Griffin, Fernando Pessoa: selected poems, Harmondsworth, 1971). This problem of living with images which float constantly in and out of the edges of one's conciousness is a problem which we all experience and indeed, Griffin's statement brilliantly states the dilemma which it creates for us. Yet, these images continue to go in and out of our consciousness precisely because of this dilemma. We cannot use them because they 'belong to someone else'
or 'because one cannot use that kind of material' - yet - they continue to re-appear because they demand to be confronted and worked through them and because I believe we can only write about that which we know firsthand. - JAMES FULKERSON

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