gerelateerde werken

String quartet No. 5 : with electronic tape ad lib. / James Fulkerson

Genre: Kamermuziek
Subgenre: Strijkkwartet (2 violen, altviool, cello) met multimedia
Bezetting: 2vl vla vc (tape ad lib.)

Waldorf-Astoria : for 17 musicians / Sander Germanus

Genre: Orkest
Subgenre: Groot ensemble (12 of meer spelers)
Bezetting: fl 2ob 2cl sax-a h fg trp trb perc str

Toccata e Canzone : for violin, organ, timpani and string orchestra / Olga Victorova

Genre: Orkest
Subgenre: Groot ensemble (12 of meer spelers)
Bezetting: vn-solo org timp str

Xing : for 2 conductors and ensemble / Adam Ɓukawski

Genre: Orkest
Subgenre: Groot ensemble (12 of meer spelers)
Bezetting: fl/picc ob cl/cl-b fg 2h 2tpt trb tb 4perc hp acc 2vn vla vc db

 

compositie

Pessoa I : for instrumental ensemble, 1992 / James Fulkerson

Uitgever: Amsterdam: Donemus, cop. 1992
Uitgavenummer: 08136
Genre: Orkest
Subgenre: Groot ensemble (12 of meer spelers)
Bezetting: 2010 2sax 2121 vibr el.g g-b pf
Bijzonderheden: Voor 2 fluiten, klarinet, 2 altsaxofoons, trompet, 2 hoorns, 2 trombones, tuba, el. gitaar, piano, basgitaar en vibrafoon. - Met voorw. - Opgedragen aan De Ereprijs. - Tijdsduur: ca. 14'
Tijdsduur: 14'00"
Aantal spelers: 15
Compositiejaar: 1992
Status: nog niet gedigitaliseerd (verwachte levertijd 14 dagen)

Overige auteurs:
Fulkerson, James (Componist)
Toelichting:
Program note (English): Pessoa's heteronyms coped with a problem which afflicts everyone writing now. 'I must say that', one thinks, 'and yet how, in this day and age, can I? It is me, but only part of me. A part, but still essential. It will be false if I write as I.' Any honest writer now has at times to make so many qualifications that they either overload his art or inhibit it, unless a persona enables him to explore without hedging. Pessoa set himself free by hiving off three great swarms of his thoughts and feelings, and setting them free ... (Jonathan Griffin, Fernando Pessoa: selected poems, Harmondsworth, 1971). This problem of living with images which float constantly in and out of the edges of one's conciousness is a problem which we all experience and indeed, Griffin's statement brilliantly states the dilemma which it creates for us. Yet, these images continue to go in and out of our consciousness precisely because of this dilemma. We cannot use them because they 'belong to someone else'
or 'because one cannot use that kind of material' - yet - they continue to re-appear because they demand to be confronted and worked through them and because I believe we can only write about that which we know firsthand. - JAMES FULKERSON

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