gerelateerde werken
Fingers : for tenor saxophone and piano, 1991 / piano score by Srdjan Dedic (1992), Geert van Keulen
Genre:
Kamermuziek
Subgenre:
Saxofoon en toetsinstrument; Saxofoon en orkest
Bezetting:
sax-t pf
Met de schoenen : for large ensemble / Keyla Orozco
Genre:
Orkest
Subgenre:
Groot ensemble (12 of meer spelers)
Bezetting:
6cl(sax) 5trp 4trb trb-b tb 2perc pf el.g g-b tap dancer (soloist)
Zou 't pijn doen : (Stevig wrijven), for 14 instrumentalists, 1988 / Chiel Meijering
Genre:
Orkest
Subgenre:
Groot ensemble (12 of meer spelers)
Bezetting:
2010 2sax 2121 el.g pf el.cb
Passacaglia in blue : for 12 windinstruments and double bass, (1972) / Willem Frederik Bon
Genre:
Orkest
Subgenre:
Groot ensemble (12 of meer spelers)
Bezetting:
2222 2110 cb
compositie
Träff : for double wind quintet, double bass clarinet and double bass, 1995 / Geert van Keulen
Overige auteurs:
Keulen, Geert van
(Componist)
Toelichting:
Program note (English): [Premiere: November 16, 1995 - Uppsala - Omnibus Wind Ensemble] - The Swedish word TRÄFF has for me both musical and biographical meanings. Some years ago I was at a 'spelmannsträff' and I was struck by the atmosphere of spontaneous music making. This coming-together, this 'träff' is, in an abstract form, also a feature in my work for the Omnibus Ensemble: musical elements, personalities, of a seemingly independent nature, come together and continue to form new combinations. For example: an occasional soloist, in this case the double bass clarinet, tries to make his point clear and interrupts now and then; others join him later in their own way. In musical terms this means that the double bass clarinet introduces the use of scales, which is taken over by the other instruments until at the end of the work all play scales. For many years I had the pleasure of working together with the Omnibus as a conductor but now we meet, 'träff', for the first time in a work of mine which is
commissioned by and written for them. So again, in this respect, my composition is a 'coming-together', and ultimately, I hope that the work will be appreciated as a 'hit'. - GEERT VAN KEULEN