componist

Padding, Martijn

Martijn Padding was born on April 24, 1956 in Amsterdam. In the introduction to his website, Martijn Padding writes, regarding his music and way of working, that he studied a volume ...

gerelateerde werken

Swift, Grey and Spacious : Cello Concerto Nº 2 / Martijn Padding

Genre: Orkest
Subgenre: Cello en orkest
Bezetting: vc-solo 2fl 2ob 2cl fg 2h 2tpt 2trb(trb-b) tb hp 2perc str

1. pièce : for oboe, violin, viola, violoncello and piano, 1988 / Maarten Altena

Genre: Kamermuziek
Subgenre: Blaas en strijk en toetsinstrument(en)
Bezetting: ob vl vla vc pf

Sellingers rownde, or, The beginning of the world : variations on the variations by William Byrd, for violin, bass clarinet, violoncello and piano, 1992 / Fons Brouwer

Genre: Kamermuziek
Subgenre: Blaas en strijk en toetsinstrument(en)
Bezetting: cl-b vl vc pf

Sonatine : fluit, viool, violoncel, piano, 1948 / Hugo Godron

Genre: Kamermuziek
Subgenre: Blaas en strijk en toetsinstrument(en)
Bezetting: fl vl vc pf

compositie

Shuffle : for ensemble, 1990 / Martijn Padding

Toelichting:
Program note (English): I wrote 'Shuffle' at the request of Dutch saxophone player Arno Bornkamp. He wanted a difficult piece. I always liked the saxophone as an instrument much more in jazz and blues music then in classical music because of the rougher quality of its sound.
Therefore, 'Shuffle' starts of with a polished sound and then transforms into something steamy and wild and the ensemble changes from a calm chamber music group into a screaming band. 'Shuffle' consists of two contrasting layers. The first one is the slow melody which accelerates and transposes in six steps to very fast notes.
The second one, the accompaniment, is in contrast rather static. There is almost no harmonic development, only an increasing density of the limited amount of chords. When speed and density are at their maximum, the tenor sax reaches its almost impossible ability to play in the falsetto register which sounds rough enough to me.
- MARTIJN PADDING