componist

Vleggaar, Giel

Giel Vleggaar geldt als een van de belangrijke Nederlandse componisten van de jongere generatie. Na het ontvangen van de NOG Stimuleringsprijs van het Nederlands Balletorkest voor zijn orkestwerk 'Fast Lane ...

gerelateerde werken

Wake Up Sleeping Beauty : for oboe, clarinet, alto saxophone, bass clarinet and bassoon / Giel Vleggaar

Genre: Kamermuziek
Subgenre: Gemengd ensemble (2-12 spelers)
Bezetting: ob cl sax-a cl-bass fg

Bicinia : 2-stemmig vrouwenkoor, opus 20, 1944 / Marius Flothuis

Genre: Vocaal
Subgenre: Vrouwenkoor; Vocaal ensemble (2-12); Vrouwenkoor en instrument(en); Vocaal ensemble (2-12) en instrument(en); Variabele instrumentatie
Bezetting: sopr alt (2 instr ad lib.) / VK2 (2 instr ad lib.)

Languentibus in purgatorio : voor zangstemmen a cappella / Henk Badings

Genre: Vocaal
Subgenre: Vocaal ensemble (2-12); Gemengd koor; Mannenkoor
Bezetting: sopr alt 2ten bas / GK5 / sopr alt MK3

Lux : = Licht, = Light, versie voor 4 mannenstemmen, 1990; bew. 1999 / Paul Evenblij

Genre: Vocaal
Subgenre: Vocaal ensemble (2-12)
Bezetting: ten-c ten bar bas

compositie

Drowning : for 5 voices / text by Rhett Griffiths, Giel Vleggaar, 2006

Overige auteurs:
Griffiths, Rhett (tekstdichter/librettist)
Bevat:




Toelichting:
Program note (English): Drowning confronts the margins of the real and the imagined - the dialogue between the inner world of the mind and what is perceived on the outside through the senses. Are we really on a cruise ship witnessing a woman throwing herself into the arms of the sea, or are we eavesdropping on the voices in the head as she tries to drown her sorrows in alcohol? This ambiguity is sharply contrasted by the certain and uncompromising withdrawal into her addict's mind, with its guilt, shame, secrecy and sorrow. And perhaps not just an addict: the verse from Matthew 18:6 - He that shall scandalize one of these little ones that believe in me, should be drowned in the depths of the sea - adds an ironic perspective to the situation: a history of abuse. Is this woman the victim, the perpetrator or both? All these uncertainties are echoed by the chorus and give the piece its haunting atmosphere. - TERESA HRON