gerelateerde werken
Complete Works for Piano II : 2 players four hands or two pianos / Dick Kattenburg
	
			Genre: 
		
		Kamermuziek
	
			Subgenre: 
		
		Piano 4 handen
	
			Bezetting: 
		
		pf 2pf
	
Zwei Sätze : für Flöte und Klavier, 1992 / Maarten Bon
	
			Genre: 
		
		Kamermuziek
	
			Subgenre: 
		
		Fluit en toetsinstrument
	
			Bezetting: 
		
		fl pf
	
Sonata for flute and piano : (1979) / Rudolf Escher
	
			Genre: 
		
		Kamermuziek
	
			Subgenre: 
		
		Fluit en toetsinstrument
	
			Bezetting: 
		
		fl pf
	
Berceuse & Finale : Version for flute and piano / Frédéric Devreese
	
			Genre: 
		
		Kamermuziek
	
			Subgenre: 
		
		Fluit en toetsinstrument
	
			Bezetting: 
		
		fl pf
	
compositie
				Pièce  : pour flûte et piano / Dick Kattenburg
			
					
										Overige auteurs:
									
									
									Leo Smit Stichting
									(Samensteller)
								
							Kattenburg, Dick
									(Componist)
								
							
							Toelichting:
						
						
						The series 'Forbidden Music Regained' proudly presents works by composers who were persecuted during the Second World War. Performances of these works were forbidden during the war. Many composers were imprisoned, several did not survive and others went into hiding.
After the war a new generation took over. The pre-war composers were soon forgotten and their compositions remained hidden in closets and archives or fell otherwise into oblivion. In recent decades numerous works have been rediscovered through the efforts of the Leo Smit Foundation. Some scores were found in attics, others in a garden shed and a pile of music was found by young children next to a garbage can. These compositions are of a high quality and deserve to be performed again. The diversity of styles represents the entire spectrum of the first half of the Twentieth century: romanticism, impressionism, modernism, neoclassicism, jazz, and so forth. This project aims to encourage musicians, young and old, from across the globe to perform these compositions, and for concert audiences to (once again) become acquainted with this ‘unheard’ music.