gerelateerde werken

Fêtes à tensions: (les) eaux marchent : for 20 players / Luc Brewaeys

Genre: Kamermuziek
Subgenre: Groot ensemble (12 of meer spelers)
Bezetting: fl(picc, fl-a) ob cl cl-b fg h trp trb 2perc hp pf 3vl 2vla 2vc db

Four Songs : for soprano and small orchestra / Erik Lotichius; texts: Native American poetry

Genre: Orkest
Subgenre: Zangstem en groot ensemble
Bezetting: Soprano and Small Orchestra: Flute; Oboe; Clarinets in B-flat; Bassoon; Horn in F; Trumpet in C; Timpani; Strings

De Dorst : C version : Bb version : Eb version / Arnold Dooyeweerd

Genre: Kamermuziek
Subgenre: Variabele instrumentatie

Message from the Clan of the Battle Axe : Version for oboe and string orchestra / Chiel Meijering

Genre: Orkest
Subgenre: Hobo en strijkorkest
Bezetting: ob str

compositie

Jocasta : Monodrama for mezzo-soprano, ensemble and electronic sounds / Luc Brewaeys; libretto by Elisabeth Buzzard

Overige auteurs:
Buzzard, Elisabeth (Tekstdichter/librettist)
Brewaeys, Luc (Componist)
Toelichting:
"Jocasta" is a monodrama for Mezzo-Soprano, instrumental ensemble of 15 instruments and electro-acoustisc sounds on an original libretto (in English) by Elisabeth Buzzard. It's about the myth (or the story) of Oedipus, but told from the point of view of Jocasta, the mother-wive. Elisabeth Buzzard concieved the text without any interpunction, which on one hand left me every freedom of musical interpretation possible but on the other hand forced me to te make choices. As far as I'm concerned, I considered this text as an immense poem of love, and so did I work out the music. It speaks for itself that the moods change on the way, but it will be clear from the first audition that the sonorities contain certain constant elements. The main ingreditents of the electro-acoustic sounds are based upon "objets trouvés" (and are of course manipulated) and upon instrumental and vocal sources (manipulated as well). The vocal writing won't give enormeous surprises to listeners who are acquainted with my output. This work was a joint commission from the Music Section of the "Palais des Beaux-Arts" (BOZAR) in Brussels and from the Ictus ensemble. The score is dedicated to my wife Birgit. The First Performance was given in the Kaaitheater in Brussels on December 3, 2003 by the Ictus Ensemble with Mezzo Barbara Tetenberg, conducted by Georges-Elie Octors.