gerelateerde werken

...e poi c’era… : Symphony Nº 1 / Luc Brewaeys

Genre: Orkest
Subgenre: Orkest
Bezetting: 3fl 3ob 3cl 3fg 4h 3trp 3trb tb 4perc hp pf perc

Far away in the ocean : for twelve violoncellos and soprano / Reza Namavar ; text: Toon Tellegen

Genre: Vocaal
Subgenre: Zangstem en groot ensemble
Bezetting: sopr 12vc

.. A/.ta-lon/ : voor mezzo-sopraan, en 36 spelende en pratende instrumentalisten (1967-68) / muziek en tekst van Simeon ten Holt

Genre: Vocaal
Subgenre: Zangstem en groot ensemble
Bezetting: sopr-m 3351 2310 mar vibr hp g man pf 3vl 3vla 3vc 3cb

Gebroken sprookjes : voor stem (bas) en 15 instrumenten, 1991 / tekst: Said, Mireille en Nining, Jacques Bank

Genre: Vocaal
Subgenre: Zangstem en groot ensemble
Bezetting: bas 1121 1110 perc pf(cel) 2vl vla vc cb

 

compositie

Schumann’s Ghosts : for soprano ad lib. and ensemble / Luc Brewaeys

Uitgavenummer: 13637
Genre: Vocaal
Subgenre: Zangstem en groot ensemble
Tijdsduur: 2'25"
Aantal spelers: 10
Compositiejaar: 1999
Status: nog niet gedigitaliseerd (verwachte levertijd 14 dagen)

Overige auteurs:
Brewaeys, Luc (Componist)
Toelichting:
This small piece was commissioned by the Ictus Ensemble and composed in 1999. It was (the first) part of a cycle of "arrangements/revisits" of the song cycle op. 99 by Robert Schumann, realized by 7 composers, among them Jonathan Harvey. The idea was to keep untouched the vocal line composed by Schumann, while everything alse was totally free to each composer's discretion. I received song n° 1 "Lied des Schmiedes" (Song of the smith), which is very staightforward and harmonically very simple. I just kept the basic harmony and filled it with different moods, at places with many notes. I took a lot of fun realizing this, quoted Mahler (2nd Symphony) and Janacek (Glagolithic Mass) and made a grotesque kind of Foxtrot in the third verse.  At the end a cuckoo sings "goodbye", while repeating sharpening by a quarter tone each time and the ensemble desintegrates before playing the conclusive bars which are a perfect mirror of the first two. I intentionally previewed two versions, with or without the voice. The first performance took place in december '99 in Brussels by Mitsuko Shirai with the Ictus Ensemble under George-Elie Octors.

Interesse
Heeft u interesse om dit werk aan te schaffen? Laat ons dit dan vrijblijvend weten zodat we dit werken met voorrang kunnen digitaliseren.
Naam
E-mail