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Nobody is Perfect ! (Jonathan Harvey Sixty) : for flute, clarinet and piano / Luc Brewaeys

Genre: Kamermuziek
Subgenre: Gemengd ensemble (2-12 spelers)
Bezetting: fl cl pf

Addiamento : for mezzo-soprano and ensemble / Jan van de Putte; text Àlvaro de Campos (Fernando Pessoa)

Genre: Vocaal
Subgenre: Zangstem en groot ensemble
Bezetting: sopr-m fl/fl-a ob/eh 2cl/2cl-b fg/cfg cymb cemb pf hp acc harm 2vl vla vc db

.. A/.ta-lon/ : voor mezzo-sopraan, en 36 spelende en pratende instrumentalisten (1967-68) / muziek en tekst van Simeon ten Holt

Genre: Vocaal
Subgenre: Zangstem en groot ensemble
Bezetting: sopr-m 3351 2310 mar vibr hp g man pf 3vl 3vla 3vc 3cb

Fantasia quasi una cantata : per 12 strumenti ad arco, clavicembalo e mezzo-soprano, op. 71, 1968 / Marius Flothuis

Genre: Vocaal
Subgenre: Zangstem en groot ensemble
Bezetting: sopr-m cemb 7vl 2vla 2vc cb

 

compositie

Schumann’s Ghosts : for soprano ad lib. and ensemble / Luc Brewaeys

Uitgavenummer: 13637
Genre: Vocaal
Subgenre: Zangstem en groot ensemble
Tijdsduur: 2'25"
Aantal spelers: 10
Compositiejaar: 1999
Status: nog niet gedigitaliseerd (verwachte levertijd 14 dagen)

Auteur(s):
Brewaeys, Luc (Componist)
Toelichting:
This small piece was commissioned by the Ictus Ensemble and composed in 1999. It was (the first) part of a cycle of "arrangements/revisits" of the song cycle op. 99 by Robert Schumann, realized by 7 composers, among them Jonathan Harvey. The idea was to keep untouched the vocal line composed by Schumann, while everything alse was totally free to each composer's discretion. I received song n° 1 "Lied des Schmiedes" (Song of the smith), which is very staightforward and harmonically very simple. I just kept the basic harmony and filled it with different moods, at places with many notes. I took a lot of fun realizing this, quoted Mahler (2nd Symphony) and Janacek (Glagolithic Mass) and made a grotesque kind of Foxtrot in the third verse.  At the end a cuckoo sings "goodbye", while repeating sharpening by a quarter tone each time and the ensemble desintegrates before playing the conclusive bars which are a perfect mirror of the first two. I intentionally previewed two versions, with or without the voice. The first performance took place in december '99 in Brussels by Mitsuko Shirai with the Ictus Ensemble under George-Elie Octors.

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