gerelateerde werken
Along the Shores of Lorn : for symphony orchestra / Luc Brewaeys
Genre:
Orkest
Subgenre:
Orkest
Bezetting:
picc fl ob eh cl cl-b 2fg 2h 2trp 2perc str
Genre:
Vocaal
Subgenre:
Zangstem en groot ensemble
Bezetting:
sopr alt 2fl(picc) ob 2cl(cl-b) fg(fg-c) 2h trp trb tb 3perc cymb acc pf(harm) hp str
Genre:
Vocaal
Subgenre:
Zangstem en groot ensemble
Bezetting:
sopr fl(pic) ob cl cl-b perc cel hp 2vl vla vc cb
Gezien Hercules Segers : for soprano and instrumental ensemble / Elmer Schönberger
Genre:
Vocaal
Subgenre:
Zangstem en groot ensemble
Bezetting:
sopr 2cl(cl-b) h tpt pf hp cimbalom perc 2vn vla vc db
compositie
Schumann’s Ghosts : for soprano ad lib. and ensemble / Luc Brewaeys
Overige auteurs:
Brewaeys, Luc
(Componist)
Toelichting:
This small piece was commissioned by the Ictus Ensemble and composed in 1999. It was (the first) part of a cycle of "arrangements/revisits" of the song cycle op. 99 by Robert Schumann, realized by 7 composers, among them Jonathan Harvey. The idea was to keep untouched the vocal line composed by Schumann, while everything alse was totally free to each composer's discretion. I received song n° 1 "Lied des Schmiedes" (Song of the smith), which is very staightforward and harmonically very simple. I just kept the basic harmony and filled it with different moods, at places with many notes. I took a lot of fun realizing this, quoted Mahler (2nd Symphony) and Janacek (Glagolithic Mass) and made a grotesque kind of Foxtrot in the third verse. At the end a cuckoo sings "goodbye", while repeating sharpening by a quarter tone each time and the ensemble desintegrates before playing the conclusive bars which are a perfect mirror of the first two. I intentionally previewed two versions, with or without the voice. The first performance took place in december '99 in Brussels by Mitsuko Shirai with the Ictus Ensemble under George-Elie Octors.