gerelateerde werken

Talisker : for ensemble / Luc Brewaeys

Genre: Kamermuziek
Subgenre: Gemengd ensemble (2-12 spelers)
Bezetting: cl cl-cb h cl-choir slag

Rajanigandha : Version for soprano and chamber orchestra / John Borstlap; based on poems by Rabindranath Tagore (1861-1941)

Genre: Vocaal
Subgenre: Zangstem en groot ensemble
Bezetting: sopr pic fl 2ob cl cl-b fg 2h 2perc str

To you : for voice, guitars, keyboardinstruments, tops and electronics, opus 22, (1970-'72) / words: Adrian Mitchell, Peter Schat

Genre: Vocaal
Subgenre: Zangstem en groot ensemble; Zangstem(men) en multimedia met of zonder instrument(en)
Bezetting: sopr-m 4pf 2el.org 6g 3g-b 6tops electronics

Das Lied von der Erde : Arrangement for tenor, alto (or baritone) and large chamber ensemble / Gustav Mahler; arranged by Henk Guittart

Genre: Vocaal
Subgenre: Zangstem en groot ensemble
Bezetting: 2zang fl/picc ob/eh cl h fg harm pf cel 2perc 2vn vla vc db

 

compositie

Schumann’s Ghosts : for soprano ad lib. and ensemble / Luc Brewaeys

Uitgavenummer: 13637
Genre: Vocaal
Subgenre: Zangstem en groot ensemble
Tijdsduur: 2'25"
Aantal spelers: 10
Compositiejaar: 1999
Status: nog niet gedigitaliseerd (verwachte levertijd 14 dagen)

Overige auteurs:
Brewaeys, Luc (Componist)
Toelichting:
This small piece was commissioned by the Ictus Ensemble and composed in 1999. It was (the first) part of a cycle of "arrangements/revisits" of the song cycle op. 99 by Robert Schumann, realized by 7 composers, among them Jonathan Harvey. The idea was to keep untouched the vocal line composed by Schumann, while everything alse was totally free to each composer's discretion. I received song n° 1 "Lied des Schmiedes" (Song of the smith), which is very staightforward and harmonically very simple. I just kept the basic harmony and filled it with different moods, at places with many notes. I took a lot of fun realizing this, quoted Mahler (2nd Symphony) and Janacek (Glagolithic Mass) and made a grotesque kind of Foxtrot in the third verse.  At the end a cuckoo sings "goodbye", while repeating sharpening by a quarter tone each time and the ensemble desintegrates before playing the conclusive bars which are a perfect mirror of the first two. I intentionally previewed two versions, with or without the voice. The first performance took place in december '99 in Brussels by Mitsuko Shirai with the Ictus Ensemble under George-Elie Octors.

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