gerelateerde werken

Introduction : for english horn and (youth / school / amateur) orchestra / Luc Brewaeys

Genre: Orkest
Subgenre: Hobo en orkest
Bezetting: eh-solo 2fl 2ob 2cl 2fg 4h 2trp 2trb tb 3perc pf str

Bamboleamos no mundo / Jan van de Putte

Genre: Vocaal
Subgenre: Zangstem en groot ensemble
Bezetting: sopr alt 2fl ob 2cl fg 2h trp trb tb 3perc cymb acc pf hp 2vl vla vc db

Kwaad bloed : voor ensemble, stem en klanksporen, 1997 / tekst: A. Rimbaud, citaten uit 'Mauvais sang', Paul Bruinen

Genre: Vocaal
Subgenre: Zangstem en groot ensemble; Zangstem(men) en multimedia met of zonder instrument(en)
Bezetting: recit 1111 1210 perc pf(cel) 2vl vla vc cb tape

Liknon : for countertenor, tenor and baroque ensemble / Calliope Tsoupaki

Genre: Vocaal
Subgenre: Zangstem en groot ensemble
Bezetting: counterten ten ob corn hp org 2vn vla vlagamba violone

 

compositie

Schumann’s Ghosts : for soprano ad lib. and ensemble / Luc Brewaeys

Uitgavenummer: 13637
Genre: Vocaal
Subgenre: Zangstem en groot ensemble
Tijdsduur: 2'25"
Aantal spelers: 10
Compositiejaar: 1999
Status: nog niet gedigitaliseerd (verwachte levertijd 14 dagen)

Overige auteurs:
Brewaeys, Luc (Componist)
Toelichting:
This small piece was commissioned by the Ictus Ensemble and composed in 1999. It was (the first) part of a cycle of "arrangements/revisits" of the song cycle op. 99 by Robert Schumann, realized by 7 composers, among them Jonathan Harvey. The idea was to keep untouched the vocal line composed by Schumann, while everything alse was totally free to each composer's discretion. I received song n° 1 "Lied des Schmiedes" (Song of the smith), which is very staightforward and harmonically very simple. I just kept the basic harmony and filled it with different moods, at places with many notes. I took a lot of fun realizing this, quoted Mahler (2nd Symphony) and Janacek (Glagolithic Mass) and made a grotesque kind of Foxtrot in the third verse.  At the end a cuckoo sings "goodbye", while repeating sharpening by a quarter tone each time and the ensemble desintegrates before playing the conclusive bars which are a perfect mirror of the first two. I intentionally previewed two versions, with or without the voice. The first performance took place in december '99 in Brussels by Mitsuko Shirai with the Ictus Ensemble under George-Elie Octors.

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