componist
Luc Brewaeys werd geboren in 1959 te Mortsel (België). Hij studeerde compositie bij André LAPORTE in Brussel, bij Franco DONATONI in Siena (Italiê) en bij Brian FERNEYHOUGH in Darmstadt (Duitsland).
gerelateerde werken
Nobody is Perfect ! (Jonathan Harvey Sixty) : for flute, clarinet and piano / Luc Brewaeys
Genre:
Kamermuziek
Subgenre:
Gemengd ensemble (2-12 spelers)
Bezetting:
fl cl pf
Adagio cantabile : tenorblokfluit en piano, 1979 / Rob du Bois
Genre:
Kamermuziek
Subgenre:
Blokfluit en toetsinstrument
Bezetting:
rec-t pf
Tijdeloos : 1983/2006 / Wim Franken
Genre:
Kamermuziek
Subgenre:
Blokfluit en toetsinstrument
Bezetting:
6rec 3org
Interlude : altblokfluit (of fluit) en piano, 1956 / Jan van Dijk
Genre:
Kamermuziek
Subgenre:
Blokfluit en toetsinstrument; Fluit en toetsinstrument
Bezetting:
rec-a/fl pf
compositie
Les Méandres de la Mémoire : for recorder(s) and piano / Luc Brewaeys
Toelichting:
This work was composed in 1997 on request of Tomma Wessel and Geert Logghe, to whom the score is dedicated. The title refers to subtle musical references (and one actual quotation) which seem to appear in the score : one never knows for sure if one recognizes anything happening in the music. The gestures also refer to the past (our heritages or "memories") but are of course transformed. The work falls apart in 5 sections performed attacca. The second and fourth deal with aleatorism (at least rythmical). The first (actually called "Prelude") is some kind of introduction, getting off very affirmatively and slowing down. The third is a defragmentation of "articulated unisson" meant to be quite lyrical. The last ("Finale") is a short conclusion (with references to the parallels in the third section) and features the recorder player performing on both Soprano & Alto recorder at the same time (biphony). The work ends quite calmly with a reminder of the beginning in the piano part.