gerelateerde werken
Voix étrangères : pour clavecin et deux pistes électroacoustiques / Roderik de Man
Genre:
Kamermuziek
Subgenre:
Klavecimbel met multimedia
Bezetting:
hrpsc soundtrack
Don't Ever Leave Me Again : for ensemble / Chiel Meijering
Genre:
Kamermuziek
Subgenre:
Gemengd ensemble (2-12 spelers)
Bezetting:
fl1 fl2 fg pf vl
Integratie : voor accordeon en blaaskwintet / Frans Vuursteen
Genre:
Kamermuziek
Subgenre:
Gemengd ensemble (2-12 spelers)
Bezetting:
2fl(picc/fl-c) ob(f.h) cl(cl-b) bsn(bsn-c) acc
Ricochet : Version for bass clarinet and percussion / Ned McGowan
Genre:
Kamermuziek
Subgenre:
Gemengd ensemble (2-12 spelers)
Bezetting:
cl-b perc
compositie
Tangente : for viola and accordion / Roderik de Man
Overige auteurs:
Man, Roderik de
(Componist)
Toelichting:
The word "tangent" comes from the Latin tangens, meaning "touching". I have used the Spanish word “Tangente” to express the idea of combining two distinct musical cultures. One is that of the vocabulary of contemporary western music. The other is that of the popular and diverse world of the tango. Bringing these two together, like two lines touching is my goal in this work. The two instruments are similarly from two different worlds. My inspiration for this is the “Falsche Tango” project initiated by Visisonor Media Productions (www.visisonor.org). I was invited to “ go off at a tangent”, so to speak.
[In geometry, the tangent line (or simply the tangent) to a curve at a given point is the straight line that "just touches" the curve there. As it passes through the point where the tangent line and the curve meet, or the point of tangency, the tangent line is "going in the same direction" as the curve, and in this sense it is the best straight-line approximation to the curve at that point.]