gerelateerde werken
Dhawa-cendak : for gamelan ensemble and tape, 1993 / Roderik de Man
Genre:
Kamermuziek
Subgenre:
Gamelan; Elektronica met verschillende instrumenten; Gamelan met multimedia
Bezetting:
gamelan (14 players) tape
Lofty Topics : Version for flute, clarinet in A, violin and cello / Olga Victorova
Genre:
Kamermuziek
Subgenre:
Gemengd ensemble (2-12 spelers)
Bezetting:
fl cl vn vc
Sad Song : for four saxophones and percussion / Bohdana Frolyak
Genre:
Kamermuziek
Subgenre:
Gemengd ensemble (2-12 spelers)
Bezetting:
sax-s sax-a sax-t sax-bar perc
Thoughts of a madman : for ensemble / Chiel Meijering
Genre:
Kamermuziek
Subgenre:
Gemengd ensemble (2-12 spelers)
Bezetting:
fl1 fl2 fg pf vl
compositie
Tangente : for viola and accordion / Roderik de Man
Overige auteurs:
Man, Roderik de
(Componist)
Toelichting:
The word "tangent" comes from the Latin tangens, meaning "touching". I have used the Spanish word “Tangente” to express the idea of combining two distinct musical cultures. One is that of the vocabulary of contemporary western music. The other is that of the popular and diverse world of the tango. Bringing these two together, like two lines touching is my goal in this work. The two instruments are similarly from two different worlds. My inspiration for this is the “Falsche Tango” project initiated by Visisonor Media Productions (www.visisonor.org). I was invited to “ go off at a tangent”, so to speak.
[In geometry, the tangent line (or simply the tangent) to a curve at a given point is the straight line that "just touches" the curve there. As it passes through the point where the tangent line and the curve meet, or the point of tangency, the tangent line is "going in the same direction" as the curve, and in this sense it is the best straight-line approximation to the curve at that point.]