gerelateerde werken
24 capriccio's voor viool solo
Genre:
Kamermuziek
Subgenre:
Viool
Bezetting:
vl
Explicaties : for ensemble, 2007 / Guus Janssen
Genre:
Vocaal
Subgenre:
Zangstem en groot ensemble
Bezetting:
voice fl(pic) cl cl-b 2sax fg h trp trb 2perc g hp pf cemb 2vl vla vc cb
A crossing place : for mezzo-soprano and instrumental ensemble, 1989 / Frank de Munnik
Genre:
Vocaal
Subgenre:
Zangstem en groot ensemble
Bezetting:
sopr-m 1121 1110 perc hp pf vl vla vc cb
1494 : for voice and instrumental ensemble / Kim Bowman
Genre:
Vocaal
Subgenre:
Zangstem en groot ensemble
Bezetting:
sopr(perc) 1001 2200 2perc hp pf vl vla vc cb / sopr(perc) 1001 2200 2perc hp pf str
compositie
Stap verder : for female voice, tapdancer and big band / Vanessa Lann; text by Emma Lazarus
Auteur(s):
Lazarus, Emma
(Tekstdichter/librettist)
Lann, Vanessa
(Componist)
Toelichting:
The African hocket technique of ‘one player, one note’ was the
inspiration and structural basis for Stap verder. In the ensemble music of many African communities each instrument produces only one tone. Each musician is responsible for voicing that tone, and only that tone, using the unique sound and character of his or her instrument. This reflects how the role of the individual in these societies is perceived. The Ngumi proverb ‘Umuntu ngumuntu ngabantu’ means that an individual ‘exists’ only through contact with other persons in the community. Similarly, in this type of music (just as in Stap verder) a melody becomes discernible only when each player grows aware of the contribution of every other player. However simple, each person’s musical gesture is significant; without the participation of each member of the group, no music can happen.
Emma Lazarus’ immortal text (engraved on the Statue of Liberty in NY) – “Give me your tired, your poor, your huddled masses…” – also mirrors the belief that a society cannot successfully exist without recognizing the voice of even the smallest individual.
Vanessa Lann (October 2016)