componist
Yannis Kyriakides was born in Limassol, Cyprus in 1969, emigrated to Britain in 1975, and has been living in the Netherlands since 1992. He currently lives in Amsterdam with his ...
gerelateerde werken
The Lost Border Dances : for double string quartet and electronics / Yannis Kyriakides
Genre:
Electronische Muziek
Subgenre:
Gemengd ensemble (2-12 spelers) met elektronica
Bezetting:
4vln 2vla 2vc tape
Roter Damm Verwandelt : for solo rapper, ensemble and soundscape / Oscar van Dillen
Genre:
Electronische Muziek
Subgenre:
Gemengd ensemble (2-12 spelers) met elektronica
Bezetting:
rapper 2tpt 2trb-t/b 2perc pf 2vn vla vc tape
SCRAMBLED : for ensemble and electronics / Arnold Marinissen
Genre:
Electronische Muziek
Subgenre:
Gemengd ensemble (2-12 spelers) met elektronica
Bezetting:
sax-b pf vn trb hp vc ob perc db tape
Les extrêmes se touchent : for pan flute, guitar and electronics / Roderik de Man
Genre:
Electronische Muziek
Subgenre:
Gemengd ensemble (2-12 spelers) met elektronica
Bezetting:
panflute gtr tape
compositie
Ode to Man : for 4 sopranos and electronics / Yannis Kyriakides; text based on Antigone by Sophocles
Overige auteurs:
Sophocles
(tekstdichter/librettist)
Toelichting:
Ode to man was written for the vocal group Silbersee, for their production Homo Instrumentalis. It is based on the text from the chorus of Antigone by Sophocles (line 332-375) known as The Ode to Man. This is one of the most famous choral odes in ancient Greek tragedy, where, in what seems to be an ironic tone, the technological achievements of the human race are set out. Man’s ability to conquer nature, to develop language and law and to create great civilisations is set against the fact that the one thing he cannot conquer is his own mortality. This ambiguity is reflected in the first line: “Deinon”, the word used in the description of these achievements can mean both “terrible” and “wonderful”.
The theme of man against nature is one that is explored in the music also. I wanted to use the text in a way that it is constantly being deconstructed into its phonemes. The voices slowly move from the articulation of the text to pure raw vocality. The grating presence of the electronic sound is always in a state of overpowering and unbalancing the voices.