componist

Rore, Cipriano De

Cipriano De Rore was a Flemish composer who was born in 1515/6 in Ronse, a small town between Brussels and Courtrai (Belgium, in the 16th century The Netherlands). He moved ...

gerelateerde werken

26 Secular & Religious Motets (Volume II) : for 4, 5, 6 and 8 voices / Cipriano de Rore; transcribed and edited by Cees Wagemakers

Genre: Vocaal
Subgenre: Gemengd koor
Bezetting: GK

Psalm 121 : for mixed choir / br Kris Oelbrandt ocso; text translated by Kees Waaijman

Genre: Vocaal
Subgenre: Gemengd koor
Bezetting: GK4

Sacred Harmonies : for 4, 5, 6 and 8 voices / collected by Caspar Hassler; transcribed and edited by Cees Wagemakers

Genre: Vocaal
Subgenre: Gemengd koor
Bezetting: GK

Vijf Vasalis-liederen : for 21-voice mixed choir, 2004 / words: five poems by M. Vasalis (text in Dutch), Willem Boogman

Genre: Vocaal
Subgenre: Gemengd koor
Bezetting: GK21

 

compositie

26 Secular & Religious Motets (Volume I) : for 4, 5, 6 and 8 voices / Cipriano de Rore; transcribed and edited by Cees Wagemakers

Uitgavenummer: 16092
Genre: Vocaal
Subgenre: Gemengd koor
Bezetting: GK
Bijzonderheden: Early Music Edition.
Compositiejaar: 1559
Status: volledig gedigitaliseerd (direct leverbaar)

Overige auteurs:
Wagemakers, Cees (editor)
Bevat:
Descendi in hortum meum | SSAATTB (5’)
Deus pacis | ATTB (3’30”)
Illuxit nunc sacra dies | SAATB (2’45”)
Confitebor tibi Domine | AATTB (3’45”)
Agimus tibi | SAATB (2’)
Pater noster | SATBB (5’15”)
Dissimulare etiam – Quin etiam – Mene fugis | SATTB – SSATTB – SSAATTB (7’45”)
Donec gratus eram | SSAT-ATTB (5’30”)
Beati omnes qui timent Dominum – Ecce benedicetur homo | AATB (4’30”)
Miserere nostri – Alleva manum tuam | ATTB (4’30”)
Sub tuum præsidium | ATTB (2’15”)
O Crux benedicta | ATTB (3’)
Caro mea est vere cibus – Hic est panis | ATTB (6’45”)
Gratia vobis et pax | ATTB (3’15”)
Toelichting:
This bundle of motets (1559) - both religious and secular - shows imitational and canonic techniques, that must have inspired composers as Lassus, Palestriana, De Monte and later on even Monteverdi. It contains texts from ancient Latin poets as Virgil and Horace; and also psalms, antiphons and both canonic and apocryphal bible books. And there is also a poem by Nicolaus Stopius (Mirabar solito) written at the occasion of the wedding of Duke William V of Bavaria with Renata of Lorraine in 1568.
The most complicated secular motet - Dissimulare etiam sperasti for 5, 6 and 7 voices - is a part from Dido’s Lament from Virgil’s Aeneid. A complete range of emotions are presented: hope, sadness, loneliness, love and revenge. De Rore opens an arsenal of style figures that is so admired by later composers. We hear off-modus cadenzas, chromaticism, free dissonants, minor-major changes and more. The result is a piece full of tone repeats, dramatic outbursts and crescendos that point forward to Monteverdi’s Lamento d’Arianna. No wonder that Monteverdi’s admiration for De Rore is still tangible 50 years later.
Cees Wagemakers

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