componist
Josquin Desprez (c. 1450-1521) is often called the most important composer of the Renaissance period. His name is derived from the Flemish ‘Josken’ (Little Joseph). Very little is known about ...
gerelateerde werken
Missa Faisant Regretz : for 4 voices / Josquin Desprez; transcribed and edited by Cees Wagemakers
Genre:
Vocaal
Subgenre:
Gemengd koor
Bezetting:
GK4
Genre:
Vocaal
Subgenre:
Gemengd koor
Bezetting:
GK
19 Motets (Volume 1) : for 8 voices / Various authors; transcribed and edited by Cees Wagemakers
Genre:
Vocaal
Subgenre:
Gemengd koor
Bezetting:
GK
Sine nomine : for three instrumental choirs, 1972 / Daniel Manneke
Genre:
Orkest
Subgenre:
Orkest
Bezetting:
2221 2210 str
Genre:
Vocaal
Subgenre:
Gemengd koor
Bezetting:
GK
Der erste Psalm : für Chor a cappella / Julius Röntgen
Genre:
Vocaal
Subgenre:
Gemengd koor
Bezetting:
GK4
Zangerslied : opus 37, voor gemengd koor a cappella, 1952 / Lex van Delden
Genre:
Vocaal
Subgenre:
Gemengd koor
Bezetting:
GK4
Nachtzien : voor kamerkoor a capella, 2000/revision 2007 / tekst: Leonard Nolens, Gerard Beljon
Genre:
Vocaal
Subgenre:
Gemengd koor
Bezetting:
GK21
compositie
An Augsburg Choirbook of Motets : for 4, 5 and 6 voices / Various authors; transcribed and edited by Cees Wagemakers
Overige auteurs:
Wagemakers, Cees
(editor)
Isaac, Heinrich
(componist)
Mouton, Jean
(componist)
Obrecht, Jacob
(componist)
Senfl, Ludwig
(componist)
Bevat:
Ludwig Senfl (?): Anima mea liquefacta est (10’15”)
Ludwig Senfl: Usquequo Domine (8’30”)
Ludwig Senfl: Sancte Pater (12’)
Jacob Obrecht: Salve Crux, arbor vitæ (12’15”)
Josquin Desprez (?): Lectio actuum Apostolorum (Pentecost) (12’15”)
Jean Mouton (?): Anima mea liquefacta est (8’15”)
Ludwig Senfl: Gaude Maria Virgo (13’30”)
Heinrich Isaac (?): Deus in adiutorium meum intende (6’45”)
Heinrich Isaac: O Maria Mater Christi (11’15”)
Ludwig Senfl: Discubuit Iesus (8’30”)
Toelichting:
In 1520 a choirbook was published in Augsburg (Germany) by Sigmund Grimm and Marx Wirsung. It was the earliest printed choirbook with the separate parts set out on two facing pages, in contrast to the separate books for each voice that we see mostly in Renaissance editions. So a page turn had to come at the same moment for all the voices.
The choirbook contained 275 pages with 23 motets by Heinrich Isaac, Josquin Desprez, Pierre de la Rue, Jacob Obrecht, Jean Mouton and Ludwig Senfl. Some authors are uncertain, but we will stick to the indications of the library the book is taken from. In this book 10 of the motets have been transcribed. The other ones are better-known and available elsewhere on the market.
Cees Wagemakers