gerelateerde werken

Missa Ad Fugam : for 4 voices / Josquin Desprez; transcribed and edited by Cees Wagemakers

Genre: Vocaal
Subgenre: Gemengd koor
Bezetting: GK

Sacred Songs from a Bavarian Choirbook (Volume I) : Five Motets on the Holy Virgin & Missa plena de Beata Maria Virgine, for 3 high voices / Heinrich Isaac; transcribed and edited by Cees Wagemakers

Genre: Vocaal
Subgenre: Vrouwenkoor
Bezetting: VK

19 Motets (Volume 1) : for 8 voices / Various authors; transcribed and edited by Cees Wagemakers

Genre: Vocaal
Subgenre: Gemengd koor
Bezetting: GK

Two Passions (published in Wittenberg 1538) : for 4 voices / Johannes Galliculus, Jacob Obrecht; transcribed and edited by Cees Wagemakers

Genre: Vocaal
Subgenre: Gemengd koor
Bezetting: GK4

Avond-licht : voor gemengd koor / Bernard Zweers, tekst: P.C. Boutens

Genre: Vocaal
Subgenre: Gemengd koor
Bezetting: SATB

Slaapstad : voor kamerkoor, 2004 / gedicht: Diana Ozon, Huub de Vriend

Genre: Vocaal
Subgenre: Gemengd koor
Bezetting: 8sopr 6alt 5ten 7bas

Dos motets francesos : for mixed choir / Xavier Gelabert

Genre: Vocaal
Subgenre: Gemengd koor
Bezetting: GK4

compositie

An Augsburg Choirbook of Motets : for 4, 5 and 6 voices / Various authors; transcribed and edited by Cees Wagemakers

Overige auteurs:
Wagemakers, Cees (Editor)
Desprez, Josquin (Componist)
Isaac, Heinrich (Componist)
Mouton, Jean (Componist)
Obrecht, Jacob (Componist)
Senfl, Ludwig (Componist)
Bevat:
Ludwig Senfl (?): Anima mea liquefacta est (10’15”)
Ludwig Senfl: Usquequo Domine (8’30”)
Ludwig Senfl: Sancte Pater (12’)
Jacob Obrecht: Salve Crux, arbor vitæ (12’15”)
Josquin Desprez (?): Lectio actuum Apostolorum (Pentecost) (12’15”)
Jean Mouton (?): Anima mea liquefacta est (8’15”)
Ludwig Senfl: Gaude Maria Virgo (13’30”)
Heinrich Isaac (?): Deus in adiutorium meum intende (6’45”)
Heinrich Isaac: O Maria Mater Christi (11’15”)
Ludwig Senfl: Discubuit Iesus (8’30”)
Toelichting:
In 1520 a choirbook was published in Augsburg (Germany) by Sigmund Grimm and Marx Wirsung. It was the earliest printed choirbook with the separate parts set out on two facing pages, in contrast to the separate books for each voice that we see mostly in Renaissance editions. So a page turn had to come at the same moment for all the voices.
The choirbook contained 275 pages with 23 motets by Heinrich Isaac, Josquin Desprez, Pierre de la Rue, Jacob Obrecht, Jean Mouton and Ludwig Senfl. Some authors are uncertain, but we will stick to the indications of the library the book is taken from. In this book 10 of the motets have been transcribed. The other ones are better-known and available elsewhere on the market.
Cees Wagemakers