gerelateerde werken

octavia. trepanation : Opera based on the tragedy "Octavia", attributed to Seneca and Trotsky's essay on Lenin / Dmitri Kourliandski; libretto: Boris Yukhananov and Dmitri Kourliandski

Genre: Opera, muziektheater
Subgenre: Opera
Bezetting: soloists GK4 tape

De grens (full version) : Chamber opera in two scenes / Jan-Peter de Graaff, libretto Yuri Robbers

Genre: Opera, muziektheater
Subgenre: Opera
Bezetting: zang cl-b acc perc vn db

Oikos : schoolopera in twee bedrijven, 1980 / muziek: Andries Hubers, libretto : Bab Westerveld

Genre: Opera, muziektheater
Subgenre: Opera
Bezetting: 4soloists 2GK4 3121 0310 timp 2perc (g-b ad lib.) pf str Orff-instr electronics

Requiem : for tenor, actor and ensemble; opus 37 / Micha Hamel

Genre: Opera, muziektheater
Subgenre: Opera
Bezetting: ten pf fl(picc) bfl(shakuhachi) sax-s(sax-a) trb(tb) vl kemence perc 2hp org

compositie

octavia. trepanation : Opera based on the tragedy "Octavia", attributed to Seneca and Trotsky's essay on Lenin / Dmitri Kourliandski; libretto: Boris Yukhananov and Dmitri Kourliandski

Overige auteurs:
Kourliandski, Dmitri (Componist)
Toelichting:
In conducting our trepanation of revolution, we open a forehead and discover death, blood and tiranny. We sanitize it and graft a Buddha into the cavity, then we sew the forehead back up. We remove the source of the bloody revolution to seal off the notion of war forever. We transform a tyrant and send him to Nirvana.
Boris Yukhananov

The Opera’s music is based on the opening phrases of the revolutionary song Varshavyanika, but streches them out in almost 100 times. The temporal transformation of the song reveals various harmonic and melodic metamorphoses that become “nutritional material” for the 80-voice chorus, soloists and live electronic music thus arises a hermetic, self-referential construction that feeds on itself.
Dmitri Kourliandski