componist

Lobo, Alonso

In the shadow of the three great Spanish Renaissance composers Cristóbal de Morales, Francisco Guerrero and Tomas Luis de Victoria a number of other composers flourished in Spain during the ...

gerelateerde werken

6 Masses & 7 Motets (Volume I) : for 4, 5, 6 and 8 voices / Alonso Lobo; transcribed and edited by Cees Wagemakers

Genre: Vocaal
Subgenre: Gemengd koor
Bezetting: GK

Schlaf und Tod : opus 22, voor 8-stemmig gemengd koor a cappella, 1987 / teksten van Georg Trakl, Huub Kerstens

Genre: Vocaal
Subgenre: Gemengd koor
Bezetting: GK8

And We All Look at the Sea... : for chamber choir / Jan-Peter de Graaff; text by the composer, after Händel's 'Children of Israel'

Genre: Vocaal
Subgenre: Gemengd koor
Bezetting: GK4

Si tu veux : Chanson pour une voix et choeur mixte / Israel Olman

Genre: Vocaal
Subgenre: Gemengd koor
Bezetting: GK

compositie

6 Masses & 7 Motets (Volume II) : for 4, 5, 6 and 8 voices / Alonso Lobo; transcribed and edited by Cees Wagemakers

Overige auteurs:
Wagemakers, Cees (editor)
Bevat:
Missa supra Petre, ego pro te rogavi
7 Motets: Ave Maria
Missa supra Simile est regnum celorum
Missa supra O Rex gloriae
7 Motets: O quam suavis est
7 Motets: Quam pulchri sunt
7 Motets: Ave Regina caelorum
7 Motets: Versa est in luctum
7 Motets: Credo quod Redemptor vivit
7 Motets: Vivo ego, dicit Dominus
Toelichting:
The masses are all parody masses, which means that an earlier work - sacred or profane - was the basis for the new music. In those days this was no plagiarism. It was an homage to the maker of the earlier work. All the masses are based on motets by Guerrero, except O Rex gloriæ; this was a motet by Palestrina.
Because of this I have added the preposition supra in the titles of the masses, though it was not in the original titles. In later literature the mass Maria Magdalena is often spelled as Maria Magdalene; this must be wrong because the mass is a parody on the motet Maria Magdalena et altera Maria by Guerrero.
Presented here in 2 volumes are 6 masses and 7 motets from a printed choirbook of the Toledo cathedral, and scanned to the internet by the Répertoire International de Sources Musicales. The scans on the internet have a watermark of the Vatican Library. It was printed in Madrid in 1602 by Johannes Flandrum as Liber Primus Missarum (RISM L2588 - First Book of Masses). Flandrum was a Fleming working at the Spanish royal court.

Cees Wagemakers