componist

Infantas, Fernando de Las

Fernando de Las Infantas (1534-c.1610) thanks his surname to the conveyance of the two daughters of king Pedro I of Castile (also called the Cruel or the Just; which are ...

gerelateerde werken

The First Lindner Collection : for 5-9 voices: Volume 2 / Various authors; transcribed and edited by Cees Wagemakers

Genre: Vocaal
Subgenre: Gemengd koor
Bezetting: GK

Ascolta : for tenor solo, mixed choir and soundtracks, 1988 / text by Bert Schierbeek, Ton Bruynèl

Genre: Vocaal
Subgenre: Gemengd koor; Elektronica en zangstem(men) met of zonder instrument(en)
Bezetting: ten GK4 soundtracks

Missa Paschalis : for 5 voices / Isaac Heinrich; transcribed and edited by Cees Wagemakers

Genre: Vocaal
Subgenre: Gemengd koor
Bezetting: GK

Pas de Quatre : for four vocal quartets / Bernard van Beurden

Genre: Vocaal
Subgenre: Gemengd koor
Bezetting: GK4

 

compositie

The First Lindner Collection : for 5-9 voices: Volume 1 / Various authors; transcribed and edited by Cees Wagemakers

Uitgavenummer: 17013
Genre: Vocaal
Subgenre: Gemengd koor
Bezetting: GK
Bijzonderheden: Early Music edition. First published in Nuremberg in 1585 by Catharina Gerlach. Also with compositions by Jean Pennequin, Severin Cornet, Pandolfo Zallamella, Silvio Marazzo, Alfonso Ferrabosco (The Elder) and Tiburtio Massaino.
Compositiejaar: 1585
Status: Unieke collectie Renaissance-handschriften overgebracht naar hedendaagse notatie. Honderden vocale werken die in verschillende bibliotheken in Europa waren weggestopt en nu voor het eerst beschikbaar zijn dankzij redacteur Cees Wagemakers.

Overige auteurs:
Wagemakers, Cees (editor)
Lindner, Friedrich (samensteller)
Merulo, Claudio (componist)
Palestrina, Giovanni Pierluiggi da (componist)
Bevat:
Giovanni da Palestrina: O magnum mysterium - Quem vidistis, pastores? (5’30”)
Pandolfo Zallamella: Adorna thalamum tuum, Sion (2’45”)
Don Fernando de Las Infantas: Missus est Gabriel - Quæ cum audisset turbata est - Dixit autem Maria ad Angelum (10’30”)
Giovanni da Palestrina: Suscipe verbum - Paries quidem filium (7’30”)
Pandolfo Zallamella: Ingrediente Domino in sanctam civitatem (2’)
Pandolfo Zallamella: Foderunt manus meas (2’)
Alfonso Ferrabosco (The Elder): O vos omnes qui transitis per viam (2’30”)
Alfonso Ferrabosco (The Elder): Timor et tremor venerunt super me - Exaudi Deus deprecationem meam (6’)
Alfonso Ferrabosco (The Elder): In monte Oliveti oravit Iesus ad Patrem (3’)
Tiburtio Massaino: Maria Magdalena… ibant diluculo (5’)
Giovanni da Palestrina: Alleluia. Tulerunt Dominum meum (4’)
Jean Pennequin: Quem vidistis, pastores? - Dicite quidnam vidistis (5’)
Silvio Marazzo: Dum transisset Sbbatum (6’)
Claudio Merulo: Pax vobis, ego sum (2’)
Severin Cornet: Verbum caro factum est - In pricipio erat verbum - Cuius gloriam vidimus (6’)
Giovanni da Palestrina: O admirabile commercium (2’45”)
Pandolfo Zallamella: Verbum caro factus est (2’)
Silvio Marazzo: Hodie Christus natus est (2’)
Giovanni da Palestrina: Stella quam viderant Magi (3’45”)
Claudio Merulo: Tribus miraculis (2’15”)
Claudio Merulo: Hodie beata Virgo Maria (1’45”)
Toelichting:
Apart from the many beautifully calligraphed choirbooks, the Bavarian State Library contains a lot of part books. A remarkable set of books is the collection of Motets assembled by Friedrich Lindner.
There are 2 of these collections of motets; the first - published in 1585 - containing 41 motets for 5, 6 and more voices, was dedicated to Duke Ludwig of Württemberg u. Teck; this book is entirely transcribed in this First Lindner Collection, although some motets by Palestrina are very well known. The 2nd - published in 1588 - containing 56 motets for 4 - 12 voices, is partly transcribed in The Second Lindner Collection, because the many motets by Andrea and Giovanni Gabrieli in the original part books are well-known and free to be obtained in the worldwide market. So in this transcription of the 2nd collection there are less than the original 56 motets and none to be found for 12 voices.
Cees Wagemakers, 2018

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