gerelateerde werken

Feestelijke ouverture : 1956 / Johannes Röntgen

Genre: Kamermuziek
Subgenre: Piano 4 handen
Bezetting: pf4h

Kientzyphonie (Symphony N° 4) : for saxophone(s) and large harmonic orchestra / Luc Brewaeys

Genre: Orkest
Subgenre: Saxofoon en orkest
Bezetting: sax-solo 2picc 4fl(picc) 2ob eh 2fg 19cl 2cl-b 2sax-s 2sax-a 2sax-t 2sax-bar sax-bass 4h 3tpt 3trb 2bar/euph tb-b tb-cb 2db timp str

Et dans un long tournoiement j'entrerai dedans l'etange celeste : for bassoon, double bass, clarinet/bass clarinet and electronics / Alla Zagaykevych

Genre: Multimedia
Subgenre: Gemengd ensemble (2-12 spelers) met multimedia
Bezetting: fg db cl(cl-b) tape

Fires Everywhere : for string quartet / Chiel Meijering

Genre: Kamermuziek
Subgenre: Strijkkwartet (2 violen, altviool, cello)
Bezetting: 2vn vla vc

compositie

Two Symphonies and Postumus : for string quartet

Auteur(s):
Kerkelov, Peter (Componist)
Toelichting:
Commissioned by the Dutch Chamber Music Society.
The Netherlands is a very windy country; this is probably why I got so fascinated by wind chimes. Not only by their sweet, beautiful sound, but also by the idea of sounds randomly winding in an endless circle – is randomness chaos? - or is it in fact a different order? These two radically clashing ideas create the two symphonies – like two worlds, which are so far and at the same time, so close to each other; sometimes it is hard to draw the line between them. And after… -What is after?... After the circle is completed, is there something more? Just like in the Universe - is there an end?- or is there another “post-world of circles"?