gerelateerde werken

Drie stukken voor instrumenten en electriciteit : 1970 / Gilius van Bergeijk

Genre: Kamermuziek
Subgenre: Blaaskwintet; Slagwerk; Elektronisch orgel; Elektronica met verschillende instrumenten; Blaaskwintet met multimedia; Slagwerk met multimedia
Bezetting: fl ob cl fg h electronics - perc tape - el.org

Lieder aus Asien : 1937, [Text]O-Sen (1725-1770), Drei Geisha Lieder, I, für Alt und kleines Orchester / deutsch: Klabund, Arij Verhaar

Genre: Vocaal
Subgenre: Zangstem en orkest
Bezetting: alt 1010 0000 pf str

Gesichte des Herzens : für gemischten Chor und Klavier, Opus 7, 1934/1985 / Text: Ruth von Ostau, Jan Koetsier

Genre: Vocaal
Subgenre: Gemengd koor en piano
Bezetting: GK6 pf

Agnus Dei : voor 4-stemmig gemengd koor en orgel / Jan Felderhof

Genre: Vocaal
Subgenre: Gemengd koor en orgel
Bezetting: GK4 org

compositie

Two Symphonies and Postumus : for string quartet

Overige auteurs:
Kerkelov, Peter (Componist)
Toelichting:
Commissioned by the Dutch Chamber Music Society.
The Netherlands is a very windy country; this is probably why I got so fascinated by wind chimes. Not only by their sweet, beautiful sound, but also by the idea of sounds randomly winding in an endless circle – is randomness chaos? - or is it in fact a different order? These two radically clashing ideas create the two symphonies – like two worlds, which are so far and at the same time, so close to each other; sometimes it is hard to draw the line between them. And after… -What is after?... After the circle is completed, is there something more? Just like in the Universe - is there an end?- or is there another “post-world of circles"?