gerelateerde werken

Deuxième sonate : pour piano et violoncelle, 1927-1938 / Matthijs Vermeulen ; [ed. Odilia Vermeulen & Ton Braas]

Genre: Kamermuziek
Subgenre: Cello en toetsinstrument
Bezetting: vc pf

Prelude from Verdi's La Traviata : for accordion orchestra / Israel Olman

Genre: Orkest
Subgenre: Accordeonorkest
Bezetting: acc

Triptyque : for baritone (or mezzo-soprano) and orchestra, 2002 / poems Guillaume Apollinaire, Micha Hamel

Genre: Vocaal
Subgenre: Zangstem en orkest
Bezetting: medium fl(pic) fl 2ob 2cl cl-b fg fg(cfg) 3h perc hp str(8-10.6-8.4-6.3-5.2-4.)

Psalm 124 : for mixed choir / Kris Oelbrandt; translation by Kees Waaijman

Genre: Vocaal
Subgenre: Gemengd koor
Bezetting: GK4

 

compositie

Two Symphonies and Postumus : for string quartet

Uitgavenummer: 16566
Genre: Onbekend
Tijdsduur: 18'00"
Compositiejaar: 2011-2012
Status: nog niet gedigitaliseerd (verwachte levertijd 14 dagen)

Overige auteurs:
Kerkelov, Peter (Componist)
Toelichting:
Commissioned by the Dutch Chamber Music Society.
The Netherlands is a very windy country; this is probably why I got so fascinated by wind chimes. Not only by their sweet, beautiful sound, but also by the idea of sounds randomly winding in an endless circle – is randomness chaos? - or is it in fact a different order? These two radically clashing ideas create the two symphonies – like two worlds, which are so far and at the same time, so close to each other; sometimes it is hard to draw the line between them. And after… -What is after?... After the circle is completed, is there something more? Just like in the Universe - is there an end?- or is there another “post-world of circles"?

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